Command Performance - Tav Falco (Twenty Stone Blatt)
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Memphis-born Tav Falco has been drawing inspiration from a deep musical well of swamp blues, soul and psychedelia since the early ‘80s. “Command Performance” is his first LP for five years.
Even though there aren’t many places he hasn’t toured, much of the world is yet to catch up with his music so “Command Performance” is another chip at that wall of mainstream indifference.
Sweet, Sweet Sadie b/w The Alligator - The Missing Souls (State Records)
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A slice of fuzztone thicker than hand-sliced artisan bread and bossy chick vocals fuel both sides of this snarler 45 from French band The Missing Souls. Vocalist-bassist Zaza Sharpe lives up to her surname on the A side, a cover of a song by The Teardrops that's recorded live to eight-track, with guitarist and co-vocalist Little Big Ian chipping in.
A cover song also graces the B side (“Alligator” was by American frat-punkers The US Four) and it’s powered by a storming, dance-worthy beat and a neat duet between Zaza and and Little Big Ian. Soulful and fiery as hell, if this is indicative of The Missing Soul’s output on French label Dangerous Skylab (two singles and an LP) then you and me both need to hear it.
Live 1981 - Fast Cars (Method Records and Music)
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The under-appreciated heroes of the mushrooming Sydney underground scene of the 1980s were the women. Some will say it’s always been the case and continues to be so. For every Chrissie Amphlett there were many others - like Juliet Ward (Shy Impostors), Julie Mostyn (Flaming Hands), Jo Piggott (XL Capris), Annalise Morrow (The Numbers) and Angie Pepper (The Passengers) - who never made it to international mainstream stages.
This exhumed live set by Sydney’s Fast Cars’ underlines this fact. Fronted by Di Levy (vocals and guitar), Fast Cars were habituates of the small but vibrant mod scene that grew in the sweaty pubs of Sussex Street in the Sydney CBD. They occupied a place where ‘60s pop mixed with soul and the sound of what was lazily dubbed New Wave.
69BC album out this month on I-94 Bar Records
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The new release on I-94 Bar Records is the debut album for Sydney garage supergroup 69BC. The self-titled CD by this shadowy, primal quintet is 20 years in the making and it's 17 tracks of raw and raucous Rock Action.
Staggering from the smouldering ruins of a Pismo Beach after party, a handful of survivors retreated into the bowels of innumerable rehearsal rooms two decades ago. They have finally emerged to claim their revenge in the new Millennium. This band may have links to the likes of the Psychotic Turnbuckles and Sheek the Shayk. 69BC is Rok Bolder (vocals), Vince Cuscuna (guitar, backing vocals), Dave Wong (guitar), Adam Silverwright (bass, backing vocals), Nix (drums).
The CD releases on October 19 and pre-orders are open now at the link below. It will also be available as a download.
Hairy Mountain - Datura4 (Alive Natural Sounds)
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A debut as strong as “Demon Blues” was always going to be hard to top, but but Perth’s hard rock combo extraordinaire Datura4 has scaled that mountain seemingly without trouble.
There’s a deeper psychedelic vein running through “Hairy Mountain” than its predecessor and the songs are just a touch stronger. Dom Mariani and Greg Hitchcock have solidified what was probably a fun idea involving teenage bandmates reuniting into a serious guitar partnership with some scorching sonic explorations. And the gun rhythm section of Warren Hall (drums) and Stu Loasby sounds in command and totally at home.
Sleepless Girls - Harry Howard and the NDE (Spooky Records)
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This one gets seven bottles. Seven. Harry Howard and Ed Preston have excelled themselves in the most extraordinary way.
Right, I’ll calm down and try and explain. First, both HHNDE records have been natural progressions, with damn fine songs, and plenty to bounce around the room to. Memorable in every sense.
In 2016, it seems that times have changed. Time was when the “third album” was perceived as “difficult’; that a band found it difficult to develop onwards from their initial impetus and squirt to stardom. The Ramones’ third LP was written at the same time as their first, so no problem there. I suspect much the same could be said of the Stranglers, whose live sets in 1977 featured 90 minutes of ugly hits. However, these are exceptions.
Grandular Fever - Sun God Replica (Spooky Records)
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Right, when I heard this for the first of what will be hundreds of times, I thought, fuck me, “Grandular Fever” is a career highlight. The thing is… I reckon they can match this over and over without breaking wind. And fuck, Loki Lockwood must be spitting. A record this fucking brilliant and it ain’t out til October (I won't tell you when I initially wrote this).
Every now and then an CD comes along which makes me love the privileged position I sometimes find myself in. And right now… EIGHT BOTTLES. And after several months of addictive listening, it's still eight bottles.
The Sonics slay Sydney
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Ian Amos photo
The Sonics in Sydney? What you got out of this gig depended on what you wanted.
If you longed for a show by the “classic” Sonics lineup of “Boom” and “Here Are The Sonics” albums you were always going to be fresh outta luck. That band hasn’t existed since 1967 or ’68. If, however, you wanted a great rock and roll gig with spirited and often inspired renditions of the band’s back catalogue, you almost certainly walked away with a big fat smile on your dial.
In most minds, The Sonics were the surprise packet of the first DIg It Up! travelling revue in Australia a few years ago. Sunnyboys might have been sentimental favourites, The Fleshtones the dynamic attention-getters and Hoodoo Gurus the much-loved headliners, but The Sonics tore the house apart with a raw and righteous set that belied their superannuant appearance.
Let’s make it plain: The Sonics unwittingly made the template for garage punk in the ‘60s and did their reputation justice in Australia.
Lots to like about Little Lovers
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Founding member of Little Lovers, Wintah Thompson was dragged around every decent ‘90s music festival with Glenn Thompson, who in addition to being known as Wintah’s dad was also a member of iconic Australian bands Custard, The Titanics and The Go-Betweens.
Over the years, Wintah’s parents would encourage him to pursue a career in finance, or at the very least seek a life of reliable employment. Instead, he started a band.
Little Lovers proceeded to cut their teeth in the sunny backyards of Brisbane. They released their debut, self-titled, E.P. which shot to number-one on Australian independent charts. The track “Red Devil” became a Brisbane favourite and was regularly played on local radio and in Brisbane’s indie clubs. A bunch of shows and supports followed before it was time to relocate and reform in Sydney.
After well over a decade, two cities, two drummers, 489 bassists and hundreds of gigs, both big and small, Little Lovers have finally released their debut album “Golden Decade”.
Wintah Thompson’s songwriting isn’t nationalistic, but – just like The Go-Betweens, Smudge, Sunnyboys or Custard – you couldn’t imagine it coming from anywhere but Australia.
“Golden Decade” was recorded across Sydney with sessions in an old Australian naval base with Tim Kevin and in the industrial backstreets of the Inner West in Marrickville with Glenn Thompson. It launches at The Union Hotel in Newtown on October 6 with support from Dick Pix. You can hear the single “June” here and find out more at the Mere Noise Records website.
- The Reverend who makes the world a better place
- Don’t Believe Everything You Think - The Main Grains (Twenty Stone Blatt)
- Johnny Collingwood b/w Baby No Good - Wrong Turn (Cobra Necktie Records)
- The Sonics work hard and put doubters in their place
- Dangerous Minds - The Media Whores (Who7represents Records/Twenty Stone Blatt Records)
- Sunnyboys head return of Flaming Hands and Shy Impostors
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