Iconic frontwoman Cherie Currie of The Runaways has announced her second and final Australian tour. The five-date run will be her first since 2016 and takes in Sydney, Brisbane, Perth, Adelaide and Melbourne.

One of rock’s true pioneers, Cherie Currie exploded onto the music scene in the 1970s as the unmistakable teenage voice of The Runaways, delivering anthems like “Cherry Bomb” that redefined what it meant to be a young, fearless woman in rock ‘n’ roll. Described as the “lost daughter of Iggy Pop and Bridgette Bardot”, she shattered barriers, inspired generations of female rockers, and cemented her place in music history.

But Cherie Currie is also a style icon, celebrated for her corsets, platform boots, and glam-punk flair.

Currie’s talents have also shone beyond the stage. As an actress, she starred alongside Jodie Foster in the 1980 classic “Foxes”, a film that captured the spirit of youth and rebellion. More recently, her life and career were immortalised in the acclaimed biopic “The Runaways,” starring Dakota Fanning as Cherie and Kristen Stewart as Joan Jett.

For this farewell tour, Cherie Currie promises fans a high-energy setlist packed with Runaways hits, solo favourites, and surprises, celebrating her remarkable journey in rock.

 _{The Mick Medew and Ursula 4 livein Brisbane. Lucas Ciechanowski photo.}

The Barman has put out Brisbane duo Mick Medew and Ursula's new record “In the Zone” on I-94 Bar Records. A bit of background (in case you're still sleeping off an Australia Day hangover...

Mick formed The Screaming Tribesmen back in 1981, and while there have been a number of members (including Ron Peno, Murray Shepherd and Mark Kingsmill), it's arguable that they're perhaps best remembered for their lives shows, classic 1983 single "Igloo", and 1987 album "'Bones and Flowers".  Chris "Klondike" Masuak was a member from 1984-1989.

So, yeah, is this old-man rock? Curiously, the Tribesmen, and Mick's current releases with I-94 Bar, seem to find favour with younger folk these days as well. Curious, I decided to ask Mick a few questions.

MC5 – An Oral Biography of Rock’s Most Revolutionary Band
By Brad Tolinksi, Jann Uhelszki and Ben Edmonds
(Hachette Books)

The MC5 finally made it into the Rock and Roll Hall of Fame in 2024. Or Hall of Lame, as we like to call it around here. As an institution, it really is a clusterfuck of inconsistency and the Five deserved to be there an eon ago.

You might argue that the band’s history, for the most part, was a contradiction of missed, ignored or mis-handled opportunities – and you’d be right. This much-anticipated tome is proof positive – if it were needed – of that.

Decent books about the Five are hard to find. The late Wayne Kramer had a go and succeeded to a degree (although parts smelt of revisionism). Bass player Michael Davis released his own equally harrowing autobiography, posthumously, that filled some gaps. Both books were single viewpoints, however. “MC5 – An Oral Biography…” is a shot at the big picture and fills a vacuum.

Come On In – The On and Ons (Jem Recordings)

It’s only January but “Come On In” is already a contender for 2025's Record of The Year.

Granted, it’s not a “new” album as such - more a compilation of the band’s best songs from The On and Ons’ five previous releases with three new tracks appended - but don’t let that stop you. Odds-on that it’s going to smoke any other rocking pop you’ll hear in 2025.

“Come On In” is the American debut release for the Sydney band on Jem, an imprint established on 1970 and since revived by one of its founders, Marty Scott. It’s also home to the likes of power-pop king Paul Collins, The Grip Weeds and Richard Barone.

"A Complete Unknown"
Directed by James Mangold
Screenplay by James Mangold and Jay Cocks

New York City was Ground Zero for many of the significant 20th Century cultural upheavals, notable events and musical movements that exploded over the course of a few decades.

The late '40s brought on The Beat Generation of William Burroughs and Gregory Corso. The smoky jazz clubs spawned Dizzy Gillespie, Miles Davis, Charlie Parker and later John Coltrane who were smashing down the walls down and redefining music, in particular jazz.

A bit over two decades later, Max's Kansas City and CBGB gave rise to Patti Smith, Blondie, Ramones and Television, off the back of The Factory scene with the Velvet Underground.

It was late 1950's that birthed a folk movement in small coffee shops in and around New York City's East Village, with characters like Rambling Jack Elliott and Pete Seeger. Accoustic folk music, with its roots with The Carter Family and acoustic blues from the cottonfields and The Dustbowl, took root with intellectuals and hip kids from inner-city university campuses. The songs became anthems for the labour movement and civil rights activists - In particular the music of Woody Guthrie.

The USA was exploding with a new sense of wildness and free thinking embodied in new art movements. It was also a time when classic older bluesman like Son House and John lee Hooker, ignored and working hand-to-mouth shit jobs, were discovered by a new hip, young and white audience.

Tokyo's incredible Guitar Wolf are returning to Australia on a five-state tour in March and April 2025.



Since forming in 1987 and releasing their first album on Memphis's legendary Goner Records in 1993, Guitar Wolf have taken their wild and dangerous sound to the world, working with labels like Matador and Third Man in the process.

Guitar Wolf have released 12 albums and are signed to a major label at home in Japan. They first toured Australia in the late '90s, when mainman Seiji (pictured right) rode onto the stage of a packed Tote Hotel on the back of a borrowed motorcycle.



Inspired by the ultra-violent records of '50s guitar wielding maniac Link Wray as well as motorcycles, Ramones, Johnny Thunders, the Cramps and Joan Jett,

Seiji has called their sound "Jet Rock'n'Roll". He explained in a 2012 interview: "I love jet plane. I love noisy music, too. So...there were records...many records...every record have no big sounds. So...easy to listen. I hate that! So! I add jet sounds. Bwaaaahng! Explosion!"

Guitar Wolf are icons. They have their own branded motorcycle jacket, the 613 GW (made by Schott NYC of New York, who made the iconic 613 Perfecto jacket worn by the Ramones) and are movie stars, starring in the 1999 low budget sci-fi horror movie "Wild Zero".

Sydney via Berlin band The Crisps have released a single to coincide with their brief return run of gigs this weekend. "Hey Jack" is the song and it's available for download here.

The Crisps are bassist Graham Hood (The Johnnys), vocalist-drummer Stuart Wilson (New Christs, Lime Spiders, Chris Masuak's Dog Soldier), Dave Thomas (Doomfoxx) and guitarist Chris Nacard (Orange County). The shows are happening because Thomas is back in Australia from his adopted home of Germany. The band has plans to play Europe later in 2025. 

Catch them in and around Sydney at Manly Boat Shed (January 24) with DISGRACELand and The MoshPit Bar (January 25 from 2-6pm) with The Research and The Sugar Beats before heading north to Woy Woy's Link and Pin Cafe with The Dunhill Blues and The FNCs on January 26 from 11am-5pm.  

Live at The Marrickville Bowl. - John Kennedy  and the New Originals (I-94 Bar Records)

Lately, I have been thinking about the Australian movie “Death in Brunswick”, a bona fide classic and a brilliant black comedy. It features a kitchen from hell in a decrepit nightclub, populated by the dodgiest of characters. The smell of rat poison and mouse shit, and there’s a cockroach invasion that resembles an army removing food scraps. 

Now, I once worked one night as a kitchen hand at the notorious Kardomah Café (aka "The Dark Coma") when I was living in Kings Cross. The kitchen was not as horrifying as the one as in the movie, but I did feel like the Sam Neil character, channeling Dostoyevsky as I chopped onions, prepared soggy fries and tried to cut over-ripe tomatoes to sit forlornly atop nondescript cheeseburgers. 

_{Sara Alice Ceccarelli photo.}

He's as well known in Australia for fronting '80s Melbourne blues rockers The Wreckery as he is in Eruope for his work with The True Spirit, Fatalists and Dirtmusic, and onetime Bad Seeds guitarist Hugo Race is a man who never stands still. His latest album is a moody collaboration with Michaelangelo Russo called "100 Years" that's as sweeping in its musical vision as it is deeply rooted in the blues. 

After immersing himself in "100 Years, Robert Brokenmouth was prompted to seek an audience with Hugo and ask him some probing questions. Their wide-ranging chat is here.