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  • phantom fifthNew York City-based band Phantom Fifth (pictured right) has announced that Chris “Klondike” Masuak will be joining them for shows in California and New York in July.

    Phantom Fifth is from New York City and is comprised of expatriate Australian bassist Greg Delves (ex-Inner Sleeves, Radio Luxembourg), Irishman Colin McCarthy (drums) and US-born Paul Stinson (guitar, vocals.)  

    Formed in 2015, the band bio says it "embraces the sonic sound and dark energy of Nick Cave, Joy Division, The Strokes and The Stooges. The Phantoms' sound is built around dark melodies, shimmering guitars, and propulsive bass lines, with lyrics about wolves, ghosts, murderous paramours, Italian discos, and other manifestations of love and madness".

    Originally from California, where he co-founded the "punk Americana" band The Stripminers with members of X and The Donnas, Paul Stinson moved to Brooklyn in 2014 and quickly met up with power pop guru Delves and McCarthy (formerly of Amsterdam-based Belsonic Sound).

    The trio immediately began writing, recording and performing in and around NYC and have plans in the works for tours of both the UK and Australia. The band's debut EP is due out in the US Summer of 2016.

    July 20 – Brick & Mortar Music Hall, San Francisco, CA
    July 22 – The Uptown Nightclub, Oakland, CA
    July 24 – The Viper Room, Hollywood, CA
    July 29 – The Bowery Electric, NYC

    Phantom Fifth on the Web

    Chris Masuak on the Web

     

  • the saints 73 78 world

    The Saints ’73-’78 are celebrating 50 years since their first-ever shows this November with a month-long international tour, taking in New Zealand, USA, Canada, the UK, Sweden and Germany.

    The Saints ’73-78 are surviving members from the original Saints, Ed Kuepper (guitar) and Ivor Hay(drums), joined by Mick Harvey (The Birthday Party, Bad Seeds) on guitar, Peter Oxley (Sunnyboys) on bass and Mark Arm (Mudhoney) on vocals. They will be augmented by a three-piece brass section and the band is fresh from a sold-out Australian tour.

    UK tickets are available via Alltickets and dates are after the fold. NZ, Europe , Candian and US tickets are at feelpresents.com

  • atr4 cvrAll Another Tuneless Racket. Punk and New Wave In the Seventies Volume Four: The American Beat East
    By Stven M Gardner
    (Noise For Heroes)

    The intention was to read this cover-to-cover before penning a review, but time got the upper hand. As it does. You need to know about it before the onset of the Festive Season proper so you can put it on your Xmas shopping/wish list.

    I’ve been dipping into and out of this “Another Tuneless Racket 4”  over the past three months. It’s a punk rock “War and Peace” at nearly 690 pages but not a hard slog. It’s neatly compartmented into various regional musical scenes, so “ATR Volume Four” is ideal fodder, if your attention span is short or you want to dip in and out.

    Notwithstanding it weighs a lot more than a mobile phone, you might find it essential Toilet Reading (or “Bathroom Reading” for sensitive Americans who think a bathing facility is co-located with what we Australians call The Dunny.)

    Reading on the loo is probably a Bloke Thing but certainly not exclusively the domain of men or Australians. The bog is one place most people know they won’t be disturbed.

    There’s a bonus if you’re getting on a bit and are not, er, as regular as you used to be, in that you can spend a long time combing these pages.  The hefty size of “ATR4” (it’s nearly as heavy as one of those extinct things called phone books) means that if you lift your copy past shouilder height a few times, you can skip the gym.

    There’s a lot to be said for Toilet Books. A good one takes your mind off the government bowel testing kit that arrived in the mail and is sitting on your sink, unopened. If you’re a Westerner visiting Japan, reading is less taxing than working out what all those controls on the side of the cistern do.

    Unlike Jinglish instructions or medical self-diagnostics, however, “ATR” is a labour of love that comes from Steve Gardcner, the same rock and roll obsessive who spawned the American zine “Noise For Heroes” in the 1990s, and the record label of the same name.