australian

Detroit rock? It never sounded so Australian as this Queensland band. Tokyo Beef slams out nine original songs on their second album and it reeks of Fourex pots and durries on a Gold Coast Saturday arvo down at the old Birdwatcher's Bar on Cavill Avenue.

The cover imagery is a Japanese Zero winging it past a burning wreck and it's apt enough. These songs are above mid-tempo punk rock with no safety net. Played live in the studio, theyy're first or second takes, for the most part. One guitar, bass, drums and a stand-and-deliver drawl.

Guitarist Punk (yep, that's his band name and for all I know it's the tag that his cellmate gave him) doesn't stand for subtlety and his tightly-coiled leads and sharp licks are all over these songs, free of overdubs.

The raucous rock ‘n’ roll legends that are The King Khan & BBQ Show have announced Australian side shows to their Splendour In The Grass festival appearance.

They’ll play gigs in Sydney and Melbourne in celebration of their recently released album “Bad News Boys”, their first in five years.

The fabled duo of singer/guitarist King Khan and drummer/singer/guitarist Mark Sultan made their Australian debut at the request of Lou Reed & Laurie Anderson for the 2010 Vivid Festival - and promptly hit the wall.

_{Hoodoo Guru Dave Faulkner adds his autograph to a copy of "Product 45" at the Sydney Spencer P Jones Benefit.                       Emmy Etie photo}

It was a few weeks ago that a parcel was waiting for me on my veranda. This is not unusual as I often order my vinyl from overseas. I even get the odd review copy of a record. This package was much larger and there was much more weighty. It was the stunningly beautiful book “Product 45 Australian Punk/Post-Punk Single Record Covers”.

I sat down and carefully unwrapped the packaging, opening the first few pages, and my first impression was the high-weighted GSM quality silky paper.  This was not the standard book that you would pick up at Dymocks. It had the sense of a limited edition, extremely high-standard production by people who had taken so much care and pride with their talent invested in the design.

_{Anna White photo}

Two of the hardest working men in Australian show business, Ed Kuepper and Jim White, return for a short series of duo shows this summer.

Kuepper has just completed a run of residency shows with his new instrumental project Asteroid Ekosystem and drummer White is taking a brief pause from international touring with Bill Callahan, Xylouris White and Marisa Anderson.

The pair will continue their journey of exploration via Kuepper’s extensive catalogue and a studio release by the pair looms in 2023.  Acoustic troubadour Darren Cross will open all shows which are on sale now via feelpresents.com

ED KUEPPER & JIM WHITE
FEBRUARY 2023
Thu Feb 2 Murwillumbah, The Regent
Fri Feb 3 Coffs Harbour, The Jetty
Sat Feb 4 Brisbane, The Outpost
Wed Feb 8 Sydney, The Great Club
Thu Feb 9 Cronulla, Brass Monkey
Fri Feb 10 Melbourne, Brunswick Ballroom

One of the most anticipated acts announced for the Soundwave 2016 festival series was L7. Soundwave collapsed but L7 has been confirmed for a run of Australian club shows in May.

Torchbearers for the Riot Grrl movement of the ‘90s, L7 were a massive influence worldwide and reformed in 2014 to rave reviews.

Billboard magazine describes their live show as "one of the hardest, rawest rock bands seen on stage in years”.

Find out for yourself when L7 plays five Aussie club dates.

L7 Australian Tour
MAY
13 – PERTH, Metropolis Fremantle
14 – ADELAIDE, The Gov
17 – MELBOURNE, 170 Russell
20 - May BRISBANE Eatons Hill
21- SYDNEY, Metro Theatre
Tickets on sale via: http://www.metropolistouring.com/L7
Presale: Wed 2nd March 9am - Thurs 3rd 5pm
GA: Friday 4th March on Sale 9am

 If you subscribe to the popular  notion that post-punk started in 1976, Gang of Four are to blame. Established in Leeds in England's north, Gang of Four - or Go4 - are widely recognised as originators of the genre with their potent political lyrics and stripped-down blend of funk, punk, dance and dub.

Originally singer Jon King, guitarist Andy Gill, bassist Dave Allen and drummer Hugo Burnham, there have been many G04 line-ups down the years. Founding member Gill is the only one remaining and he'll bring the band to Australia and New Zealand in November, marking the 40th anniversary of the debut album "entertainment!"

While we don't want to encourage you to read it these days, Rolling Stone magazine rated their debut album "entertainment!" as the fifth greatest punk album of all time. Pitchfork (it's a hipster bible but don't hold that against Go4) ranks it the eighth-greatest album of all time.

Go4 will play "entertainment!" In full plus selected songs from the band's other nine studio albums.

Our resident post-punk devotee ROBERT BROKENMOUTH is a dyed-in-the-wool Go4 fan. He spoke to Andy Gill about the band's history, recent output and what makes its music tick.

Like the financial affairs of a retired politician, it’s amazing what you find in rock and roll if you dig deep enough. Japan’s The Deadvikings are a prime example. 

These Far Eastern brothers-by-another-mother of the Hellacopters have been going for 10 years and have numerous releases behind them. They’ve done a split single with UK reprobates The Sick Livers and The Hip Priests (but don’t judge them by the company they keep.)

They’ve toured Europe and China. They’re hitting Australia in November, with their Sydney mates Bunt.

_{Pat and Lety Beers.}

Combining elements of 60s garage, funk, soul and old time rock ‘n; roll showmanship, San Diego’s The Schizophonics are one of the "hardest working" bands you’ll see. And I mean "hard working"  in reference to when they hit the stage.

Singer/guitarist Pat Beers comes across like a mix between Jerry Lee Lewis and an eight-year-old kid on too much red cordial; the man never stops. While some singers take five to get a breath, Pat keeps the party going with some amazing onstage moves that would score high in any Olympic gymnastics competition.

While the bass often switches, Pat and drummer/wife Lety Beers are the core and soul of the group. The two of them, along with their beautiful dog Beanie, spoke to me via the zoom machine on the eve of their return to Oz.

Spain's premier garage party band Los Chicos is heading back to Australia for their fourth tour.

Dates are mostly in Victoria with the boutique Boogie festival the centrepiece but Sydney punters are lucky to have scored a show at Marrickville Bowling Club where they'll be supported by a specially-reformed 300 StClaire. 

If you haven't experienced the frenetic mobile party that is Los Chicos then you need to get your sorry arse to a show.

Think of them as something like The Fleshtones on sangria.

Los Chicos Australian Tour
MARCH
Friday 18 - Marrickville Bowls Club, NSW
Saturday 19 - The Tote, Collingwood, vic
Sunday 20 - MEMO. St. Kilda, VIC
Wednesday 23 - Sooki Lounge, Belgrave, VIC
Thursday 24 - Baha, Rye, VIC
Good Friday 25 - Eastern Hotel, Ballarat, VIC
Saturday 26 - Boogie! Festival, VIC
Sunday 27 - HOLA!, Barwon Club, Geelong, VIC

Founding member of Little Lovers, Wintah Thompson was dragged around every decent ‘90s music festival with Glenn Thompson, who in addition to being known as Wintah’s dad was also a member of iconic Australian bands Custard, The Titanics and The Go-Betweens.

Over the years, Wintah’s parents would encourage him to pursue a career in finance, or at the very least seek a life of reliable employment. Instead, he started a band. 

Little Lovers proceeded to cut their teeth in the sunny backyards of Brisbane. They released their debut, self-titled, E.P. which shot to number-one on Australian independent charts. The track “Red Devil” became a Brisbane favourite and was regularly played on local radio and in Brisbane’s indie clubs. A bunch of shows and supports followed before it was time to relocate and reform in Sydney. 

After well over a decade, two cities, two drummers, 489 bassists and hundreds of gigs, both big and small, Little Lovers have finally released their debut album “Golden Decade”.

Wintah Thompson’s songwriting isn’t nationalistic, but – just like The Go-Betweens, Smudge, Sunnyboys or Custard – you couldn’t imagine it coming from anywhere but Australia.

“Golden Decade” was recorded across Sydney with sessions in an old Australian naval base with Tim Kevin and in the industrial backstreets of the Inner West in Marrickville with Glenn Thompson. It launches at The Union Hotel in Newtown on October 6 with support from Dick Pix. You can hear the single “June” here and find out more at the Mere Noise Records website.

Norwegian musical troubadour Mark Steiner has had a ongoing love affair with Australia since 2008 when he first visited our shores, fulfilling a self-promise after hearing the music of Rowland S. Howard when he was a teen growing up in New York in the ‘80s. He’s now making his fourth trip Down Under, playing songs from his latest album, “Saudade”, in and around Melbourne in January.

A purveyor of melancholic lounge-noir compositions, Steiner’s commanding voice and dark, sinewy rhythms of electric guitar have been described as “the epitome of a booze-soaked evening in a dirty clandestine bar and an ashtray full of pain”

Pressed for a Xmas gift for that special Rock Action person in your life? Worry no more. “Product 45” has landed.

“Product 45” is a lavish book released this week that focuses on the years 1976-1980 and showcases single cover art from the Australian punk/post punk era. This is the first book in a series of three that looks at the art of packaging Australian music as told by the musicians, the artists and the fans.  

This lavish coffee table masterpiece has been lovingly compiled by Sydneysider Murray Bennett who has carved a career packaging records for Australian independent and major labels.

Short Fuse 3 - Various Artists (Wreckless Enterprises) 

Fifteen songs from as many bands in 11 minutes. A punk rock barrage. Sounds like fun - and it is. 

As you can tell from the name, this is the third in the series of concise and imperfectly formed, all-Australian compilation EPs from Wollongong label Wreckless Enterprises and it doesn’t pretend to be anything it isn’t in its headlong rush to the finish line: It’s a punk rock speed dating party and you wouldn’t want to be left on the shelf, would you?

_{The Aints in full flight: Peter Oxley, Paul Larsen and Ed Kuepper, with Alastair Spence obscrured. Mandy Tzaras photo.}

You knew something special was up in Adelaide tonight because as you approached The Gov, heading determinedly back to the carpark was a small group of lone pushing-toward-pensioner men, each clutching the same record: “The Aints Live at The Sarah Sands 1991”. There can’t be too many left of this, they only made 300; get yours at the gig; two LPs, $50.

Now then.

Ever hear of Reid Fleming, World’s Toughest Milkman? Good. Now you have. 

The first comic came out, it must’ve been 30 years ago. I had a T-shirt, gave it to Bob, who has cherished that damn thing for about 25 years now. I did my heart good to see Bob bouncing around tonight in that tattered t-shirt. “I thought I told you to SHUT UP!” Fleming bellows from the shirt. It perfectly matches the night.

Acid house hedonists and shape-shifting rock ‘n rollers, Primal Scream, have built a 30-year career on the art of reinvention and are bringing their incendiary live show back to Australia next month.

Vocalist Bobby Gillespie is arguably the consummate rock 'n' roll star. Willowy, wispy and radiating swagger, he struts around the stage, mic in hand like the genetically-engineered love child of Mick Jagger and Jim Morrison. He and his band are playing an all-encompassing greatest hits set including tracks from their legendary 1991 album "Screamadelica".

A PP Arnold show is more than a “gig“, it really is a live performance music history of somebody who has had an extraordinary career as a vocalist since 1964.

Word of the amazing shows in Melbourne had reached Sydney and slowly but surely the room started to fill up (including a front seated section for some of her more mature age fans.)

Whoever assembled her backing band should be congratulated.Thy comprised three-quarters of You Am I who IMHFO don’t get nearly enough credit for being the great musicians they are (Andy Kent should be singled out for really nailing the bass parts), with James Black (the bloke from Rockwiz) and vocalist Talei Wolfgramm joining them.

Iconic underground products of the Sydney music scene, Radio Birdman and Died Pretty, are undertaking a double-header tour of Australia.

Although they formed 11 years apart, Birdman and Died Pretty had their roots in the same Darlinghurst breeding ground. Died Pretty's Ron Peno was a patron at the Oxford Funhouse and a member of Birdman support act The Hellcats. Birdman's Rob Younger has been a production hand at critical points of their recording career.

Muscially, they veered in disparate directions. Spirit-wise, the bands shared a common sense of independence and going their own way. Both bands will be alternating headline positions.

Five years into their reformation and you could be forgiven for thinking the Sunnyboys revival was on the wane. Wrong. 

With two Sydney shows selling out in just four days, setting a sales record at Sunshine Coast venue The Shed by selling a third of capacity in the first eight hours and eclipsing their previous best first-week sales in Melbourne, Sunnyboys are the hottest alternative ticket of the Australian summer. 

Due to overwhelming demand Sunnyboys are pleased to announce three new shows.

The legend of the Ramones lives on in Australia this May, when Richie Ramone hits Australian shores.

Richie is bringing that blistering backbeat to venues in Byron Bay, Brisbane, Sydney and Melbourne, playing the tracks he wrote and recorded with Da Bruddas as well as new material that rocks like leather jackets, ripped knee jeans and battered Converse sneakers.

_{Credit: Minivan Photography.}

They formed in 2009 but it's in the last few years that San Diego’s Schizophonics have convincingly cemented their reputation as one of the world’s hardest-working and most dynamic bands.

Gymnastically-inclined singer-guitarist Pat Beers, drummer (and his wife) Lety Beers, plus a series of bass players, have been wowing audiences around the world with their unique brand of explosive garage rock. They’re poised to pay Australia and New Zealand their second visit in a year in February and March, before hitting Japan for the first time.

The Schizophonics have been likened to a cross between James Brown and the MC5. Local bands have been lining up to join them on bills. Aussie all-female combo, The Fangin’ Felines, are lucky enough to be joining them for two support spots - in their own hometown Wollongong (Lalalas, March 12) and Sydney (Marrickville Bowlo, March 13).

Strong females are integral to both bands, so it made perfect sense for the I-94 Bar to host a pre-tour conversation between Lety Beers and Fangin’ Feline singer Carrie Phillis. The ladies spoke over Skype earlier this week. Pat Beers joined them and uber fan Russell Hopkinson (You Am I, ex-Radio Birdman) made the whole thing happen.