australian

_{Kim Salmon in full flight. Photo by Barry C. Douglas of Barry Takes Photos.}

Before we start: The Scientists were bloody brilliant; Geelong hosted a magical gig. See them while you can, you may never get this chance again.

Now, then. There really are times when not being a multi-millionaire is, frankly, a bit of a fucking niggle.

So there I was, reading that a certain band were going to tour Australia - they’ve played a few reunion gigs overseas as one of the two guitarists lives in London - but they haven’t toured Australia in well over a decade. So there’s every chance this could well be the last time I’ll ever see them.

Tickets for the previously announced Radio Birdman Sydney Manning Bar show on Saturday, October 6 are selling fast, with a sell out expected. The band has announced a second show at the same venue on Friday,  October 5 and tickets are on sale here.

Radio Birdman is doing a limited number of Australian East Coast shows over two weekends this coming September/October before heading off for a 22-date tour of Europe. Supports on the Australian tour will include Adalita (Melbourne), Brisbane's HITS (Brisbane and Sydney) and all shows will feature special guests from Spain, Los Chicos.

Last year's Australian tour with co-headliner Died Pretty was surrounded by the buzz of the limited cinema release of "Descent into the Maelstrom", the Jonathan Sequeira-produced documentary about Radio Bifrdman. The local release on DVD with bonus content will coincide with the tour with a special edition available at the band's shows.  

_{Andreas Heuer photo}

You heard about the body of a murdered man being found in Goodwood, South Australia?

After the gig, me, Ocky and Robert Stafford (of Meatbeaters fame) were perched at the back of the tram as it lurched and whined its way homeward. This is Adelaide, not Melbourne, and we can only afford one tram. So it whines.

Anyway, we’d got through the city and were on the last stop before the parklands when suddenly there were cop cars everywhere, zig-zagging before parking on the tram tracks. A crim ute appeared, and a rather scary-looking Alsatian as one cop ran up to the driver while others peered in at us with a worrying hopefulness.

Iconic punks The Damned are returning to Australia and New Zealand for a series of highly anticipated shows in June.

Forged in the hot fire of first wave, The Damned are the greatest surviving British punk band, still firing on all cylinders. They are often regarded alongside The Clash and Sex Pistols as a seminal force in driving the genre’s popularity.

Sydney fans of Portland’s mighty The Sonics take note: The previously scheduled performance date of Sunday October 2 at The Manning Bar has now been brought forward to Friday, September 30. Support acts (The Crusaders and The Pink Fits) remain the same and all tickets purchased remain valid for the new date.

Unfortunately, Newcastle has been lost in the shuffle with all tickets purchased to be refunded at the point of sale.

In related news, all supports are now locked in. Check the dates below for the added goodness at your chosen show:

_{Robert Fagan photo.}

By tragic coincidence, a few hours before my interview with L7 guitarist and singer Donita Sparks, news broke of the passing of Irish musician and songwriter, Sinead O’Connor. 

At first glance, the association between L7 and O’Connor is opaque: L7 was a hard-rocking, all female rock’n’roll band who emerged from Los Angeles; O’Connor was a talented singer and songwriter from Ireland, whose angelic voice belied her outspoken views on religious dogma and practice. 

But on a cold evening in October 2009 at the Myer Music Bowl in Melbourne, O’Connor had taken to the stage as part of the Melbourne Music Festival’s “Seven Songs to Leave Behind” to belt out a mesmerising version of L7’s “Shitlist” – a track which O’Connor had chosen, per the structure of the evening for the various guest performers featured, as the song she’d wished she’d written.

Influential first wave punk Stiff Little Fingers have announced Australian tour dates.

Formed in 1977 in Belfast, Ireland, Stiff Little Fingers were at the forefront of the punk movement with the likes of TheClash, the Sex Pistols,The Jam, Buzzcocks, Undertones, Sham69 and theStranglers.

They wrote initially about their own lives growing up at the height of The Troubles in Northern Ireland. In November of '77, they released"Suspect Device"and"Wasted Life"on their own Rigid Digits label, and sent a copy to BBC Radio One DJJohn Peel - who started playing it every night.

These were the first of what became SLF's signature style: lyrics that meld the personal and political, music that combines the energy of punk with infectious hooks, and delivery that rings of honesty and commitment.

 Legendary garage rock icons The Mummies are almost certainly going to be making just two Australian appearances.

The Mummies play Max Watts (formerly the Hi Fi Bar) in Melbourne on Wednesday, March 9 with the mighty Mesa Cosa and Midnight Wolfe supporting. Tickets are available here. On March 13 they're billed to appear at Adelaide's Kustom Kulture Show. 

We're told that organisers will put on a Sydney date only if Melbourne doesn't sell - which seems highly unlikely - and there's no thought to playing anywhere else. 

Seminal stars of the ‘70s Brit-punk movement The Stranglers are making their way to Australia in 2016, celebrating more than 40 years of raising hell.

Winding around Australia to all mainland capitals, The Stranglers will play hits and much loved tracks from their extensive back catalogue, from 1977's acclaimed debut “Rattus Norvegicus” through to 2012's return to form “Giants”.

Forming in 1974 in small-town England, The Stranglers are now revered as one of the most exciting, credible and influential bands to have emerged from the British punk scene. 

As far as The Stranglers go, he's the man who wrote the hits, sang the hits and played guitar on the hits. Hugh Cornwell was an integral member of the band until 1990, before carving out his own solo career.

Cornwell will grace Australasian audiences with his presence in May with a tour playing music from The Stranglers and his latest solo album "Monster". 

Expect "Golden Brown", "No More Heroes", "Strange Little Girl", "Always The Sun", "Nice And Sleazy", "(Get A) Grip (On Yourself)" and "Peaches" – the great songs that established the legend of The Stranglers - after a set of his own material with his crack UK band.

MAY  
1 - Christchurch – Churchills
2- Wellington – San Fran Bath House
3 - Auckland – Powerstation with The Murder Chord
4 - Brisbane – Triffid
5 - Adelaide – Gov
8 - Canberra – Basement
9 – Manning Bar with Little Murders 
10 - Melbourne – Max Watts
11 - Perth – Rosemount with The Painkillers 
Tickets on sale here

It is literally the hottest ticket in town - Sunnyboys at Sydney's Factory Theatre - and nearly as desirable everywhere else. After selling out their two shows at the inner-west venue in just four days, Sunnyboys are pleased to announce a third and final Sydney show.

The new date is Sunday, February 11 at The Factory Theatre in Marrickville with support (again) from the Celibate Rifles. The gig runs over the schoolnight-friendly times of 6-9.30pm.
 
The sold-out shows are the fastest-selling Sydney Sunnyboys shows since the band’s reunion in 2012. Elsewhere, the iconic band - born in the ‘80s but with all-time appeal - set a first-day sales record at Sunshine Coast venue The Shed @ Aussie World, selling a third of all tickets.

It's the band’s first performance on the Coast since their reformation and just their third appearance in the region ever, their last visit being in 1983 at the Noosa Hop,  an all day festival featuring Skyhooks, Midnight Oil, The Church and others.

Tickets for The Factory are on sale now via www.factorytheatre.com.au You'll find the rest of the gig dates and ticketing informaiton here.

A heads-up that the Sunnyboys' February 2018 Australian tour is selling like wildfire with one Sydney gig (February 10) at Marrickville's Factory Theatre sold out in 36 hours, and tickets for a just-added extra date (February 9) now 85 percent gone.

Is it a surprise? No.

The fact is that the second all-oringal member incarnation of the Sunnyboys has now lasted longer than the band did in its first life. 

The time around, without the pressure of recording schedules and the demand for chart hits and with a mutual love and respect for the music they made, Sunnyboys can just do what they do best; play live. 

Joining the fun will be Sydney surf-punks The Celibate Rifles, who have carved out their own indelible history in the Australian music scene over a 35+ year period. The Rifles will join Sunnyboys for their first show on the Sunshine Coast since 1982; the Sunnyboys' first Brisbane performance since 2015, and most other dates.

Melbourne fun-punks Painters & Dockers, will join the rejuvenated Sunnyboys for a massive Melbourne Zoo performance.

Seminal post punk group Tactics are playing their first Australian shows since 2008, with dates in Sydney, Brisbane and Melbourne.

Emerging from the murky depths of Canberra's punk scene in 1977, this critically acclaimed underground band led by Dave Studdert released six albums over a decade. Studdert now lives in Europe but his band’s post-punk pop and stripped-down psychedelia was a staple on the Sydney underground scene of the 1980s.

On the eve of the release of their seventh album, Tactics will play Marrickville Bowling Club in Sydney on August 9, The Foundry in Brisbane on August 10 and Melbourne’s Curtin Hotel on August 15.

Where were you, and what were you doing when Australian surf and psychedlelic legends Tamam Shud last played some of their tripped-out live shows on the University Scene during the acid movement of the '70’s?

Most people probably wouldn’t remember and those who do probably weren’t there.

However, everyone recalls Tamam Shud for their input and timeless tracks contributed to Australian surf film classics, “Hot Generation, Evolution and the seminal Morning of the Earth”.

It wasn’t long ago Tamam Shud were onboard for the sold-out national tour for "A Long Way to the Top" arena spectaculars and "Delightful Rain: A celebration of Australian Surf Music" shows.

More recently the band has undertaken a brief East Coast tour in 2017 with Andrew Kidman & The Windy Hills, played a double-header with Buffalo Revisited and did sporadic shows on Sydney's northern beaches and in its inner-west.

The Shud has just wrapped up recording a new LP and with this release, an opportunity to celebrate their latest recording.

The Mark Of Cain returns to the stage this October performing their debut album “Battlesick” in its entirety. 

Originally released in 1989 via indie Adelaide label Dominator, Battlesick sounded like no Australian album before or since. Tracks like “Wake Up”, “Dead Man’s Mail”, “The Setback”, “Call in Anger” and the title track addressed the fear of dreams, the threat of death, anger over disappointment and personal setbacks; not exactly the subject matter of an era when Kylie Minogue was queen and Ratcat were primed to become the pinnacle of the underground.

In typically random style, those Kings of Budget Rock, The Mummies, have announced an Australian gig.

The mysterious Californians, who play their shows swathed in bandages, will visit Australia for the first time in 2016, with only one date announced so far: March 9 at Melbourne’s Max Watts. More news as it comes to hand.

_{The Mummies in full flight. Shona Ross photo}

The Mummies in Australia? No fucking way! Hard to believe, but true. A hit-and-run visit spanning three states in less than a week (with a stop-off in New Zealand on the way home) admittedly but a tour, nonetheless.

The Mummies were The Shit in garage rock in the late 1980s. Conceived as the ultimate anti-band by Trent Ruane (organ, vocals), Maz Kattuah (bass), Larry Winther (guitar) and Russell Quan (drums), they were a lynchpin of San Francisco’s lo-fi scene. Emerging from their tomb sporadically in the ‘90s and ‘00s, they’re renowned for being the band that gave the then very hip SubPop label the finger when refusal to sign was a death-wish. They have made no-frills Budget Rock an art-form.

So, ho to the Governor Hindmarsh, best rock pub not only in Adelaide but in Australia as far as I’m concerned. Off to see The Rteverend Horton Heat. Dead opposite the monstrous Ent Cent with its vast bowl of an arena, where the punters, grim at the thought of mystery beer in a disposable plastic cup at a fool’s price, head to the Gov for food and drink made by real human beings for real human beings.

It occurred to me tonight, that if I lived around the corner, it’s likely this place would see me once a day for something or other, whether it be for lunch or the occasional after workie, or a slap-up dinner for four mates - rowdy, but still, you know, civilised. The bar staff, without exception, have always been excellent, which is not something you can say of most pubs. Those in the band room tonight are brilliant.

Rockabilly has had a huge revival over the last couple of decades. I remember the first revival, spearheaded by the Stray Cats tour in, I think, 1981; a large number of punker types went and, the following weekend, about five percent were wearing quiffs. And it kinda grew from there, I think, mostly as an underground thing, but it never quite had the spotlight turned on it in the way that the Cats copped it.

But with the Reverend Horton Heat playing alongside what they call “punk rockers” in the late ‘80s and early ‘90s, and sharing the same label, Sub-Pop, as Nirvana, when Cobain and co. suddenly broke all over the world, everyone interested in Cobain and co. bought LPs from Sub Pop - and the Heat had a sudden increase in fans world-wide. Without really intending to, Jim Heath (as his custom scratch plate declares) was the spark-plug that triggered an engine of revolution.