marrickville bowling club

A war of wordss has broken out between Brisbane bovver boys Shandy and Pismo Beach-based Intercontinental Tag Team Champions the Psychotic Turnbuckles and it isn't pretty. 

The Turnbuckles make one of their sporadic visits to Australia in July as part of their preparations for an October onslaught on Japan, with gigs at La La La's in Wollongong (July 28) and Marrickville Bowling Club in Sydney (July 29.) Tickets for the respective shows are here and here.

Shandy are undertaking an East Coast tour and will be sharing the undercard at both shows with high-energy Wollongong outfit The Dark Clouds. 

Psychotic Turnbuckles vocalist Jesse The Intruder started the ball rolling with his motivational video about teamwork:

They emerged from the fog of COVID a year ago to give the pandemic the middle finger, riding a container ship to Australia all the way from Pismo Beach. 

The Psychotic Turnbuckles have again been coaxed out of semi-retirement in their palatial beachside mansions on the California coast to Destroy Dull Sydney one more time. Tickets are on sale here.

Make being at Marrickvile Bowling Club on Saturday, February 26 your New Year’s Resolution to see The Undisputed Champions of Rock and Roll bring the thunder.

Jessie the Intruder, The Grand Wizard, The Psychedelic Unknown, Count Forza and Gorgeous Karl Domah will be laying waste to two pretenders to the throne in Melbourne’s The Vibrajets and The Dark Clouds.

Comprised of past and present members of The Stems, The Shimmys, and The Breadmakers, The Vibrajets aren't the garage band the pedigree might suggest.

This is wigged out and twangin' surf and frat and rock'n'roll that goes back to the source – and is best enjoyed while shakin’ your moneymaker on the dance floor!

Members went on to Paul Kelly and the Coloured Girls, the Lime Spiders, Hell To Pay, the Screaming Tribesmen and The Bambalams, but The Grooveyard was the one that got away in the febrile Sydney inner city scene of the 1980s. Next weekend's I-94 Bar presented reformation shows in Canberra and Sydney are some of the most keenly anticiopated of the year so far and supports have been announced.

Local heroes Il Bruto are on the undercard at Smiths Alternative in Canberra on Friday, February 7 and are an obvious choice with a set list reprising many of the songs that influenced Australia's underground scene, while at Sydney's Marrickville Bowling Club on Saturday, February 8 supports will be powerpop supremos The On and Ons and Van Ruin.

 _{feedtime's Rick Johnson.}

feedtime
Examplehead
Marrickville Bowling Club, Sydney
Friday May 20, 2022

Having never seen either bands live back in the day, this was going to be an extra special night. The original gig was postponed from June 2021 and then January due to COVID and tonight it was going ahead. I have been a huge fan of feedtime for many years, owning their self titled album, “Shovel” and “Cooper S”, along with a couple of singles from back in the 80s.

It is not often that either band play gigs (Examplehead have a few coming up and are worth checking out) so this was a rare opportunity to see both bands.

T_{he On and Ons Glenn Morris and Jon Roberts with guest guitarist Murray Cook . Shona Ross photo}

At the risk of stating the bleeding obvious, this was a night of three contrasting but not dissimilar bands when The Smart Folk, Loose Pills and The On and Ons weaved their guitar pop web over Marrickville Bowling Club. It was also the album launch for The On and Ons' wonderful CD "Welcome Aboard".

These sorts of night are infrequent in Sydney these days. Ones where the bands on the bill complement each other and the venue doesn't turn people off, so they turn out in good numbers.

You’re here to read a live music review? Hang in there. There's a bit of preaching to go through, first...

^{Glenn Morris of the The On and Ons.}

The On and Ons
+ The Amazing Woolloomooloosers
Marrickville Bowling Club
Sunday, 12 December 2021
Photos: Shona Ross

Sometimes things are just obvious. Like using the term “pop music”.

It’s an archaic phrase and more than a little quaint, with its origins way back in the mists of time. Probably severely devalued, too, due to its prolific over-use in modern times. 

According to the The New Grove Dictionary of Music and Musicians, it originated in Britain in the mid-1950s as a description for rock and roll and the new music styles that it influenced.

Last Sunday afternoon-evening at Marrickville Bowling Club in Sydney’s inner-western blues delta was an occasion for pop music fans. And whether it was a breaking of the lockdown drought or an appreciation that this was an album launch, they turned out in their droves.