marrickville bowling club

Long regarded as one of Queensland rock and roll's most venerable singer-songwriters, Mick Medew is returning to a Sydney stage after a five-year absence with his band The Mesmerisers.

With one album ("The Mesmerisers") under their belt and another underway, Mick Medew and The Mesmerisers will play Marrickville Bowling Club on Saturday, February 24, with support from Loose Pills and The Dark Clouds. Tickets are on sale here.

The Sydney show has been added to follow a support to The Sunnyboys in Thirroul on February 23.

Vocalist-guitarist Medew is co-founder of the Screaming Tribesmen and more recently leader of Mick Medew and The Rumours, and he's been making a mark on Brisbane (and Australian) music for more than 30 years.

Originally a member of seminal inner-city Brisbane band The 31st, whose ranks included future members of the Hoodoo Gurus, the Hitmen and Died Pretty, Medew went on to front the Screaming Tribesmen, a band schooled in tough guitar rock overlaid with alternately hooky and plaintive melodies.

The Tribesmen outgrew their home town and moved to Sydney in the 1980s, becoming Australian independent music chart toppers with the classic single "Igloo".

The band lasted 16 years, signed to a US label, released three albums and toured North America and Europe (twice) before Mick moved home to Queensland and put them on hiatus in 1993. Reunions for tours followed in 2011 (Australia) and 2012 (Europe).

Sometimes you get all philosophical. The penny dropped on Saturday night, after a succession of $14 jugs of beer with a mate, that the New Christs are probably the band that I’ve experienced live for the longest number of years.

Of course there have been so many line-ups that a statement like that becomes very elastic. But the wrist stamps don’t lie...

And they go right back to 1984 when a loose and limber Rob Younger bounded onto the stage of Sydney’s Capital Theatre, fronting the band’s first live incarnation, in support of Iggy Pop.

That line-up of Chris Masuak, Tony Robertson, Mark Kingsmill and Kent Steedman (the Rifle later to be subbed by a Spider, Richard Jakimyszyn) might have been equalled by the “Distemper” one (Charlie Owen, Jim Dickson and Louis Burdett/Nick Fisher) but never bettered. The former had a brutal edge, the latter a bluesier, expansive feel with jazzy inflections.

The current configuration of Dickson, Paul Larsen, Dave Kettley and Brent Williams measures up nicely in the history of the New Christs, probably sitting at level-pegging with the late-‘90s line-ups. They’ve all served up differing sounds and brought something different to the stage, with the one constant being Younger’s undeniable presence and bitter-sour song-writing.

“Emotional Jihad” and “Word Salad” are terms that others have used down the years to describe Younger’s lyrical vision. You can’t do much better than that.  

Mick Medew and the Mesmerisers
+ The On and Ons
+ Pocketwatch
Marrickville Bowling Club, Sydney
Saturday, 5 November 2022

Photos by Vic Zubakin of Look Sharp Photography

The 1980s was in many ways a dire period in music: if you look at the charts or are forced to endure a few re-runs of “Countdown”, you’ll agree. Mainstream music was based on synth and a chorus pedal, gated snare and re=recordings of “Funky Town”. And there was fucking Phil Collins and his drums.

The padded shoulders and “eat the poor” mentality that saw the rise of the trickle down economics of Reagan and Thatcher.  Whenever I see any sentimental recall of the ‘80s, I run the other way. The exceptions lie in pockets of underground music

Sydney particularly reacted against the culture of Ken Done tea towels and pastels and third rate sounds. We real street music with some of best bands in the world, many of whom you could see live for five bucks.

Just as then, we still have a Sydney underground music scene in 2022. We can still see shadows and glimpses of the past and talented young bands who have been handed the baton.

_{Glenn Morris of The On and Ons.}

The On and Ons
(aka Clyde Bramley's 70th Birthday Bash)
+ The Hovering Spooks
Marrickville Bowling Club, NSW
Sunday, September 15, 2024

Sunday afternoons at the Bowlo have become a Sydney institution for live music goers of a certain vintage. This one had the added attraction of being a celebration of On and Ons bassist and all-round nice guy Clyde Bramley’s 70th birthday, so there was ample reason for the big crowd in evidence.

First up, The Hovering Spooks and the bands that their members haven’t played in can be accommodated on the big end of a pin. These Spooks bill themselves as psych but that label’s about as imprecise as they come these days. How about pre-proto-punk dressed-down glam?

Sydney teenage powerhouse rock trio pocketwatch, will mark the release of their debut EP, "It's Time" in their home town on Friday. Rock along to Marrickville Bowling Club and you’ll receive a CD copy as part of your admission.

“It’s Time” will also be on all major streaming platforms from August 4. Support acts are Polly and Vertigo and tickets are here. Accompanied under 18s will be admitted.

The pain will be real when the Psychotic Turnbuckles emerge from their palatial luxury homes in Pismo Beach and go on a two-city rampage in New South Wales in July. 

The Turnbuckles play La La La’s in Wollongong on Friday, July 28 and Marrickville Bowling Club on Saturday, July 29 as preparation for a Japanese tour in October. 

Lame-brain failed gym flunkies, The Dark Clouds, and limp-limbed Brisbane bovver boy pretenders, Shandy, are making up the numbers on both bills .

Prepare to see them out-classed in two no-holds barred elimination bouts, courtesy of the Turnbuckles, who are rightly hailed around the Intercontinental Rock and Roll Team Champions (undefeated). 

“We’re heading to Japan to ‘say no to sumo’ but first we’ll practice our moves on The Dark Clouds and Shandy,” said Turnbuckles manager Chester Chitworth.

“We visited Australia for a training camp in a remote rural location earlier in the year and worked in our new bass man, The Infliktor, but this time is the real deal.

“We’re a hot commodity in demand around the world so who knows when your sad little country will see us again? I’m outta here – we’re going surfing.”

Tickets for both bouts are on sale via Moshtix (Wollongong) and Oztix (Marrickville.)

It’s the match made in Cowpunk Heaven - those hard drinkin’, Slip Slap Fishin' men, The Johnnys, going Stetson-to-Stetson with unruly, Spurs For Jesus, in an all-hitches-no-britches rock and roll rodeo deep in the heart of Sydney’s Inner Western Delta.

Saturday, August 4 pitches this mighty pair at each other in the main paddock of Marrickville Bowling Club, presented by the I-94 Bar.,

Opening the gate will be Broham, the new country band for globe-jaunting Vanilla Chainsaw frontman Simon Chainsaw and assorted reprobates, making their world debut.

The Johnnys wrote the book on Cowpunk back in the ‘80s; Spurs re-worded parts of it a decade later and Broham intend on tearing some pages out.

Who will come out on top after the hay-bales disintegrate and the rodeo clowns vacate the ring is anyone’s guess.

Wear your best Western wear (double denim is cool) and expect a few surprises along the way, as well as prizes of a Johnnys pack for the Best Dressed Cowgirl and Cowboy.

The last Johnnys show at the Bowlo sold out so get in early for this one and pre-book. You won’t see ‘em again in Sydney any time soon and the girls and guys from Spurs don't play that often, either.

Book by phone on 1300 762 545 or online here. 

For 20 years, Sydney’s Lime Spiders cut a swathe through audiences in Australia - and for that matter, right around the world.  

Beginning as acolytes of the ‘60s acid punk sound, the band developed its own hard rock style, signed to a major label and toured extensively, attracting praise from the likes of Jello Biafra, Iggy Pop and Joey Ramone. Three studio albums and a live record attest to the band’s power.  

The Green Spiders could be called the “sequel” to the Lime Spiders. Featuring three-quarters of the Spiders’ most prolific line-up,

The Green Spiders were born in 2018, out of a desire by the members to play together again.  Their originals are written or co-written by Ged Corben, Tony Bambach and Tom Corben and naturally include a generous portion of Lime Spiders material.

There’s also a serving of obscure 60’s guitar rock/pop and a dash of 70’s punk.

Ripley Hood (Mushroom Planet, Funhouse, Gun Control, Brando Rising and the Four Stooges) fills out the Green Spiders line-up as lead vocalist. 

Their February 16 show at Marrickville Bowling Club will be their debut Sydney gig.

They’ll be joined by power pop supremos The Loose Pills, now in the throes of completing their second album and deservedly one of Sydney’s best live bands. 

Making its debut will be The Second Chance, a collection of Detroit rock veterans gathered around vocalist Pete Patterson (ex-Mother Jones, Melting Skyscrapers and Rattlesnake Shake.) 

Tickets are selling here.

Johnny Thunders and the Heartbreakers famously played “rent parties” at the turn of the ‘70s when they’d finished living in the UK and were back home in New York City.

What proportion of the proceeds from their sporadic gigs went towards keeping a roof over their heads was purely speculative. There were other activities to feed and audience members used to throw loaded syringes onto the stage.

Things were a world removed at the Manning Bar in Sydney on Friday night, where the audience threw two bouquets of flowers at Ed Kuepper.

We’re drawing a very long bow here, I know. This was the first leg of a modest two-city run (the next one in Melbourne on March 23) by Ed’s band The Aints. Chances are, the most popular drug in the room was Lipitor. The objective here is not to pay the rent – shit, Ed Kuepper now has a Brisbane park named after him so he can always live on a bench there - but to fund new recordings.

If that’s not exciting news, you’re in the wrong bar.

Belated reviews are the best reviews. You know, better late than never. 

Eleven days have elapsed since feedtime played Marrickville Bowling Club. The excuse for the late review is that the tinnitus needed time to subside. No, there are never excuses, only reasons. After experiencing two - Two sets! Count ‘em! - sets by feedftime in one night, you need time to get over it.

Not time to analyse it. Music like theirs should never be picked over like an insect that ends up pinned to a back-board in a display case at the Australian Museum. As if you didn’t know, feedtime plays music from the guts, not the head. 

Allow me a brief Robert Brokenmouth-style digression. 

It’s a bill to have fans of lysergic acid punk reaching into the cupboard for their paisley shirts and Cuban heeled boots, when the Green Spiders pair with old school punks Moot and garage throwbacks The Jane Does at Marrickville Bowling Club on Friday, February 24.

The Green Spiders come from the DNA of the Lime Spiders, Adolphus and The Most – all staples of the Strawberry Hills-Sydney Trade Union Club circuit in Sydney in the early ‘80s. They play the songs of the Lime Spiders that Green Spiders members penned.

Lime Spiders members Ged Corben (guitar), Tony Bambach (bass) and Tom Corben (drums) are joined by Ripley Hood (Mushroom Planet) on vocals to deliver a potent parade of hard rock and ‘60s punk gems.

If you remember the halcyon days of Sydney’s exploding live music scene in the 1980s, you need to make a beeline for Marrickville Bowling Club in the city's inner-west on Saturday night. 

The Conspirators were in the thick of it back then, an archetypal garage band formed by five then young Sydney music fans who were sick of paying to get into gigs. 

They became something of a fixture, growing a following and issuing a single and an EP before going on to other bands including The Sweet Ride, Psychotic Turnbuckles and Sheek the Shayk. 

With their last show 30 years ago, The Conspirators are reforming for one gig only. They’ll be joined by The Stukas - punk rock veterans - and rejuvenated mods, The Smart Folk. Special guest DJ will be Steven Danno, spinning his collection of prime ‘60s punk and ‘80s Detroit rock.

The Conspirators are doing a special re-issue CD of their back catalogue (plus a new song) for sale on the nightm and have had T-shirts printed for this auspicious occasion. Tickets available on the door or cheaper in advance here.

A war of wordss has broken out between Brisbane bovver boys Shandy and Pismo Beach-based Intercontinental Tag Team Champions the Psychotic Turnbuckles and it isn't pretty. 

The Turnbuckles make one of their sporadic visits to Australia in July as part of their preparations for an October onslaught on Japan, with gigs at La La La's in Wollongong (July 28) and Marrickville Bowling Club in Sydney (July 29.) Tickets for the respective shows are here and here.

Shandy are undertaking an East Coast tour and will be sharing the undercard at both shows with high-energy Wollongong outfit The Dark Clouds. 

Psychotic Turnbuckles vocalist Jesse The Intruder started the ball rolling with his motivational video about teamwork:

They emerged from the fog of COVID a year ago to give the pandemic the middle finger, riding a container ship to Australia all the way from Pismo Beach. 

The Psychotic Turnbuckles have again been coaxed out of semi-retirement in their palatial beachside mansions on the California coast to Destroy Dull Sydney one more time. Tickets are on sale here.

Make being at Marrickvile Bowling Club on Saturday, February 26 your New Year’s Resolution to see The Undisputed Champions of Rock and Roll bring the thunder.

Jessie the Intruder, The Grand Wizard, The Psychedelic Unknown, Count Forza and Gorgeous Karl Domah will be laying waste to two pretenders to the throne in Melbourne’s The Vibrajets and The Dark Clouds.

Comprised of past and present members of The Stems, The Shimmys, and The Breadmakers, The Vibrajets aren't the garage band the pedigree might suggest.

This is wigged out and twangin' surf and frat and rock'n'roll that goes back to the source – and is best enjoyed while shakin’ your moneymaker on the dance floor!

 _{feedtime's Rick Johnson.}

feedtime
Examplehead
Marrickville Bowling Club, Sydney
Friday May 20, 2022

Having never seen either bands live back in the day, this was going to be an extra special night. The original gig was postponed from June 2021 and then January due to COVID and tonight it was going ahead. I have been a huge fan of feedtime for many years, owning their self titled album, “Shovel” and “Cooper S”, along with a couple of singles from back in the 80s.

It is not often that either band play gigs (Examplehead have a few coming up and are worth checking out) so this was a rare opportunity to see both bands.

T_{he On and Ons Glenn Morris and Jon Roberts with guest guitarist Murray Cook . Shona Ross photo}

At the risk of stating the bleeding obvious, this was a night of three contrasting but not dissimilar bands when The Smart Folk, Loose Pills and The On and Ons weaved their guitar pop web over Marrickville Bowling Club. It was also the album launch for The On and Ons' wonderful CD "Welcome Aboard".

These sorts of night are infrequent in Sydney these days. Ones where the bands on the bill complement each other and the venue doesn't turn people off, so they turn out in good numbers.

You’re here to read a live music review? Hang in there. There's a bit of preaching to go through, first...

^{Glenn Morris of the The On and Ons.}

The On and Ons
+ The Amazing Woolloomooloosers
Marrickville Bowling Club
Sunday, 12 December 2021
Photos: Shona Ross

Sometimes things are just obvious. Like using the term “pop music”.

It’s an archaic phrase and more than a little quaint, with its origins way back in the mists of time. Probably severely devalued, too, due to its prolific over-use in modern times. 

According to the The New Grove Dictionary of Music and Musicians, it originated in Britain in the mid-1950s as a description for rock and roll and the new music styles that it influenced.

Last Sunday afternoon-evening at Marrickville Bowling Club in Sydney’s inner-western blues delta was an occasion for pop music fans. And whether it was a breaking of the lockdown drought or an appreciation that this was an album launch, they turned out in their droves.