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paul kelly and the coloured girls

  • paul kelly coupePaul Kelly: The Man, The Music And The Life In Between (Hachette Australia)
    
By Stuart Coupe

    “I hear you like music. Do you like Paul Kelly? I’ve just been reading his autobiography, "How to Make Gravy". I love his music. Always have.”

    It was an innocuous and inoffensive simple conversation starter one Sunday afternoon, uttered by a friend of my wife’s. To the extent there was question in there, it was almost opaque, and more likely rhetorical. Everyone likes Paul Kelly. How could anyone not like Paul Kelly? As it was, I fumbled around for an answer, and mumbled something about not having had the chance to listen to any of his music for a while.

    It wasn’t as if I didn’t like Paul Kelly’s music. I’d first heard and seen him back in the early 1980s on Countdown with his then-band, The Dots. A few years later Kelly appeared again, this time with a new band, the Coloured Girls, and a batch of songs that would become staples of commercial radio playlists: "To Her Door", "Darling It Hurts", "From St Kilda to King’s Cross" and "Before Too Long".

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