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tim deane

  • the dean

    Earthlings! We The Dark Clouds don’t care who you are! If you like polls, surveys and lists or if you think Shannon Noll is the pits. You’re all going under The Thunder.

    1) You know that guy. The keyboard warrior, the one always going on about there is no good music these days. The guy with Brian Mannix as his profile pic. Well strike me lucky and call me Shirley you Putz. Here’s 10 bands in ten seconds: Port Royal, Legs Electric, The Lazys, MASSIVE, Aberration, Grindhouse, Dead Set, The CRAW!, East Coast Low, Electric Mary. See how easy that was. 10 ripper bands in ten seconds.

  •  Charlie Marshall wheatsheafPhoto by Robert Dunstan of Bside magazine 

    When you shut your eyes and listen, support act Workhorse sound very good, kind of soothing but slightly disturbing.

    Several of us did just that. Watching them was interesting - their violinist was exceptional (most violinists seem to think that furiously sawing away will earn them some sort of Scout or Brownie badge), the vocals haunting and rather beautiful, and a rather lovely Vox bass throbbed effectively.

     It may be early days for this outfit (I'm told that a couple, including the lead vocalist/ guitarist, were/ are in the Wireheads) and there's a certain amount of shyness - common to a large number of young bands these days - which I don't think suits the material. I'll make a point of seeing them again as I enjoy noticing how bands develop.

  •  sc garry gray

    WORDS: ROBERT BROKENMOUTH
    PICTURES: THE BARMAN

    Some myths should be forgotten. As an AFL-denier, Melbourne's St Kilda/Collingwood rivalry has always smacked of juvenile footy gibberish. Besides, Sacred Cowboys were no strangers to Collingwood back in the day, and what was then remains then (and that's Zen) and what was then is certainly is not now (and that might be Zen, too). 

    Then and now, from my own window Sacred Cowboys still embody so many of the varied aspects of Melbourne culture - their performance of “Nothing Grows In Texas” on an industry-led TV show I loathed (yet watched religiously), “Countdown”, showed them successfully crossing Melbourne's apparent “dividing rift” - as did The Models.

    Some myths should be rediscovered, dusted off, celebrated and redressed, and we should dance with them around a maypole.