More weird and wonderful garage grunt from Swiss label Voodoo Rhythm, this time from a Spanish five-piece combo making their long-player debut.
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- By The Barman
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Fuzz garage trash rock's best-kept secret is a multi-headed, twin-drummer-driven thing that eats the frail and aged and comes from Switzerland. The aptly-named Monsters have three albums ("Birds Eat Martians", "I See Dead People" and "Youth Against Nature") to their credit, and this compilation on Australia's busiest underground label compiles their best, adding a couple of exclusive bonus recordings.
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- By The Barman
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Psssssst…..don’t tell anyone but The Monsters may just be the wildest, most uncompromising manic high priests of unhinged and trashy garage rock in the world, or at the least Switzerland. There are a lot of names you can throw up in opposition (Guitar Wolf the most prominent) but I simply won’t believe it until my own abused and bleeding ears tell me so.
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- By The Barman
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This is a return to the record store racks (those that are left) for Mick Medew and one that's well overdue. His regular band The Rumours are still a going concern and this was conceived as a solo side project, but grew into a full-blown, plugged-in album with a new band. "The Mesmerisers" is a superbly rounded record.
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- By The Barman
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Not the original EP but a collection comprising it, the bits-and-pieces LP "Hot For Your Love Baby", early singles and live and rare cuts, this is the first of a series of re-issues putting the first 10 years of the Hard-Ons' recordings in one place. We're talking a feast here with this 1984-87 package containing 61 songs and spanning 150 minutes.
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- By The Barman
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Fessin' up first: I didn't much like "Dickcheese" when it originally came out in 1988. You didn't need liner notes to hear the overt heavy metal influences. The album swung from catchy punk-pop with buried melodies to bottom-heavy stoner riffing. There was no lack of energy but the mix sounded muddy and bore little resemblance to the sound of the Hard-Ons live. Many years down the track and all that stylistic bouncing around makes much more sense.
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- By The Barman
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Here's where the affair ended, for a time - I never got into the sound of "Love Is a Battlefield…" There were some great songs (or singles) here, for sure ("Missing Me, Missing You", "Don't Wanna See You Cry", "Just Being With You") that were among the band's best, but there was something about the shiny, semi-polished metallic sheen (coming after the confusing "Dickcheese") that pushed this album to the back of the collection.
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- By The Barman
- Hits: 6061
The "art" of review writing (if there is one) is partly about saying something in the first few lines ("the lead") that makes you, the reader, take notice. So let's say The Movements from Sweden are the greatest exponents of psychedelic rock in the world today. Taking notice yet? It's just one person's opinion - but it's true. Read on to find out why.
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- By The Barman
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Wonderful. I love pop, especially smart, intelligent, literate pop. In one sense this LP is kinda like discovering one of those '60s gems at the back of your older brother's collection and realising ... this is just fucking perfect. In timeless pop style, I cannot pick my favourite song. And I keep playing the thing. Over and over.
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- By Robert Brokenmouth
- Hits: 4655
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