If Alive Naturalsound putting out a live album of their current roster sounds indulgent, then so be it. LA-based French expat Patrick Boissel's label has built a stunning back catalogue that presaged and launched today's back-to-basics garage blues-soul scene, harking backwards but always looking forwards.
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- By The Barman
- Hits: 4302
RENT PARTY - The Waldos (Jungle Records)
I ain't owned that beautiful Nina Antonia book about Johnny Thunders for years-poor people can't have nice things - ya always have to sell it all to eat and smoke. "Everything is in the pawnshop", you dig? But all those swanky Heartbreakers photographs are etched forever in my mind.
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- By Pepsi Sheen
- Hits: 5026
This is bass-heavy punk rock from Sydney with an initial "we're-drinking-cans-at-the-football-on-the-hill-so-sing-along-with-us" flavour. This is five, short and sharp songs with names like "No Logo Is A Joke" and "You Want It" so you might suspect that it's all politically incorrect. Of course, first impressions are often wrong. It's punk rock with a left-of-centre social bent.
Super Best Friends (wasn't that a South Park episoide?) have already had the Triple Jay thumbs-up - but don't hold that against them. They knock around with Children Collide and Violent Soho so it's going to work as punk rock for the generation that can't remember last Friday night, let alone the Sex Pistols.
Guitarist Johnny Barrington sings in a broader-than-Sydney-Heads accent without sounding like he's bunging it on( like those worse than awful Australian hip hop acts.) Matt Roberts' bass sound hand playing s more pliable than the GDP of a small West African country and Adam Bridges' fluid drumming kicks things along nicely.
There's a lot of crunch in the guitars and a whole bunch of shouting. Blips of sythn run through "Karma Karma" so it's not just rote punk. The songs are catchy with choruses and drop-outs. All in all, perfect festival fodder. I can hear the kids at the next Splendour In The Grass singing away to "You Want It" or the scathingly anti-xenophobic "The Bleachers."
Fast, furious and fun - and a step above most of the latest wave of what passes for punk rock, Super Best Friends might lyrically fly over the heads of some the people who pick up on them but that's not going to stop anyone having a good time. - The Barman
1/2
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- By The Barman
- Hits: 4771
Here's French garage rock from five guys who have soaked up a fair bit of the output of The Lyres, at a guess. I caught them in the flesh a couple of years ago, supporting a reformed Screaming Tribesmen in France's best rock and roll tavern, Mondo Bizzaro in Rennes, and this four-track 10-inch EP sounds like they do live.
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- By The Barman
- Hits: 4186
The Hives
+ Clamm
Enmore Theatre, Sydney
Wednesday, 23 July 2025
In these austere times, a full Enmore Theatre midweek sounds as unlikely as an affordable round of drinks in a Justin Hemmes-owned pub, but there you go: If the joint is full to the gills by 8pm on a Wednesday, it must be a Hives show.
Dunno about you but I’ve been following The Hives since they formed in Sweden in that eruption of Scandi Rock at the start of the ‘90s. The six albums are all top-shelf fun but the live experience had somehow evaded me. So, it’s off to the Enmore on a school night that I must go.
The urgings from people like The Celebrity Roadie not to miss this were still echoing in my tinnitus-scarred ears as I sipped my first beer. The Barmaid had even feigned interest by asking if the band would sing in English (not that she was going) but, really? It’s a self-evident truth that The Hives speak fluent Rock and Roll. Their dialect is universal.
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- By The Barman
- Hits: 1519
John Cale
Xani
The Recital Hall, Sydney
July 10 2025
Do you remember that annoying kid in Year Nine at school? The one who used to badger you with his arrogance and who raved about obscure songs and artists to prove he was superior? He would rattle off their names like a machine gun, firing off the titles of B sides of obnoxious Rush singles and dropping the name of some obscure European prog band that had elves on the cover of their debut album.
You, on the other hand, had discovered “Rock ‘n’ Roll Animal” by Lou Reed and had proudly made the connection that it had Dick Wagner on guitar who was now playing with Alice Cooper. And the ever-annoying wanker classmate would declare that the Reed record that I had just bought at Ashwood's was "shit" because it was “commercial” before name-dropping someone called John Cale.
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- By Ed Garland
- Hits: 2855
John Cale
City Recital Hall, Sydney
Thursday 10 July 2025
John Cale is 83 with a career as wide as it is long. Obscure nooks and crannies abound. You don't know what you're likely to get when you put your money down. If you have favourite songs, they're not guaranteed. Look, if "Waiting for my Man" ain't in the set, it will probably be the encore but that's the exception that proves the rule.
However, in a world of product, such uncertain content is rare and welcomed. Advertising for the show has certainly pointed to a career spanning retrospective performance and it kind of delivers but mostly doesn't. Cale's priority here is to promote his latest album, "Poptical Illusion". Given his age, it might very well be his last. (Though evidence suggests he's determined to keep busy.)
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- By Bob Short
- Hits: 2611
The New Christs
The On and Ons
Marrickville Bowling Club, NSW
Friday, 6 June 2025
It’s fitting, in many ways, that the New Christs assaulted the beaches of Marrickville in Sydney’s Inner-Western Delta tonight on the 81st anniversary of D-Day. Your correspondent on the frontline can report that no ammunition was spared in a fiery, two-set bracket show that was their second-last before an August tour of the UK and Europe.
The New Christs pulled a full-house on a cold Sydney Friday night and put on an intense performance that peeled the Copperart panels from the beloved Bowlo’s ceiling.
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- By The Barman
- Hits: 3545
The Johnnys
"Live in Lyon CD Launch"
Penny Ikinger’s Marbles
The Vibrajets
The Tote, Collingwood, VIC
Saturday, 31 May 2025
Hello I-94 Barflies! Well, I dragged my skinny white arse from The Farmhouse down to Melbourne on the bloody bus (500 kilometres) last Saturday morning for The Johnnys’ release of their CD. “Live In Lyon 1990”, at their gig at the Tote Hotel.
And let me tell you that it was worth every fucking painful kilometre.
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- By Ronald Brown
- Hits: 3034
More Articles …
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- The Lemonheads weave a satisfying, sometimes sloppy spell over Sydney
- Generic labels and algorithms are irrelevant on an Adelaide Saturday night
- Lest We Forget: Sydney salutes The Stems
- An Old Romantic triumphs in Adelaide
- Sydney's old soldiers salute unstoppable Frank and the sensational Sex Pistols
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Artifacts and reviews from days gone by.
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