Now I have to be upfront here. During the early '80s I was a huge Sacred Cowboys fan. I only saw them twice in Sydney but felt they were The Real Deal: a band in this territory of cool, alternative cowboy/Delta punk be that was coming from USA via people like The Gun Club and Wall of Voodoo, yet with a savage savage edge that was a nod to the "Blood River" period Scientists.
“Nothing Grows in Texas” simply was one best Australian singles of the '80s. Of courses Molly Meldrum slagged them off on TV on "Countdown". So we all knew they had so much going for them. At the centre was Garry Gray and his sneering vocals, somewhere between Alex Chilton and Jonathan Richman with a belly-full of hard, home brewed liquor.
Let’s make the assumption that many people reading this will never have heard anything from Californian band Love’s substantial back catalogue and they’ll barely know the band’s singer and only constant member, the late Arthur Lee.
There might be a vague recollection of “My Little Red Book” (a Burt Bacharach-Hal David cover, for gawdsake) or the New Christs’ flint-hard version of “She Comes In Colours” (on the “Pedestal” EP). But that's it.
The shadow of the original Saints looms large in most places where people give a toss about punk rock but Switzerland seems the most unlikely. Think Switzerland and banks, cuckoo clocks and expensive chocolate spring to mind before “Nights in Venice” but then you’ve probably never heard of The Goodbye Johnnys.
The Goodbye Johnnys are named after a Gun Club song and hail from Zurich but Petrie Terrace, Brisbane, (circa 1976) is their spiritual home. Their LP sounds a lot like the early Saints with less sonic leakage and a few rough edges filed off.
Hardcore is an odd beast. Visceral energy is its stock-in-trade. All too often it paints itself into a corner and whatever it has to stay is lost in a blur of downstrokes and angry intentions. Then somebody works out that you can play with dynamics and (shock!) melodies.
Perth band Leeches! stand out because they can do both. “Blurred Visions” is compelling, surging punk rock that seethes and burns - but also surprises with its no-nonsense harmonies and skilful playing. It reminds of Massappeal’s more creative stuff or even Off! That’s no faint praise.
About that band name: These guys hail from Ballarat in regional Victoria, Australia. Their touring schedule is unlikely to include the USA after they unwittingly named themselves with a derisive term for African Americans. You Yanks may know the term but it's almost unheard of in Australia. The faux pas is a pity because this album is a cracker.
“Should’ve Stayed Home” is a big step up from the debut record, “Devil’s Road”. It’s fuzzier, dirtier, nastier and more in your face. There’s a foot planted in rock and roll’s nursery (that’d be the 1950s) but they’ve taken it to a new sonic level.
Originally a member of South American garage band Los Peyotes, Rolando Bruno is now a solo artist in his own right. He’s peddling the weirdest brew of salsa-garage-exotica heard outside of an Buenos Aires coke den.
Los Peyotes were on Dirty Water Records. Rolando dipped his toe in the solo artist water while still with them. Voodoo Rhythm Records is his new home. The label has a habit of signing weird and wonderful one-man bands (case-in-point: its owner Beat-Man) and Bruno is no exception to the rule.
To those who witnessed Ed Kuepper’s live shows last year in which he first aired this new crop of songs, we were set afloat in a dimly-set world and intimate setting.
Ed was sitting on his throne; his approach was self-absorbed, ambient and ethereal, yet focused. With the odd Scotch on the rocks being downed, Kuepper was in fine form.
Here we have Javier Escovedo's new release, "Kicked out of Eden", courtesy of Saustex Records in San Antonio, Texas, and it's a good one.
We probably all know Javier from his work with The Zeros and The True Believers. He co-founded The Zeros (the so-called “Mexican Ramones”) and was a leading light in the West Coast punk scene. Surprisingly, "Kicked Out of Eden" is only his second solo recording.
I’ve played this CD several times since I received it, and the reason it gets only three bottles is that while it’s really good, it just doesn’t seem to get up and grab me. Maybe that’s me, maybe that’s the production, or the recording on the day. Call me a bastard, feel free, but to me the pace seems just a little too slow, lacking in attack… or something. I can’t quite nail it.
It seems that the imperative a band like this should have has not come out. This happens far too often with recordings (several favourite Adelaide bands who I absolutely loved have released CDs and LPs which seem sheepish rather than roar like a bull buffalo in Kakadu; the worst part is, when a band know the record isn’t up to snuff, they know it and feel bad. The next step should be to determine to do better next time).
Artifacts and reviews from days gone by.
PO Box 334
Oatley NSW
2223 Australia
Get in touch: barman@i94bar.com
The New Christs
+ Jupiter 5
+ The Stallers
Marrickville Bowlo, Sydney
- June 19
Tickets
Lydia Lunch
The Songs of Suicide and Alan Vega
featuring Andrew Coates (Black Cab)
JUN
14 - Meow, Wellington, NZ (as part of Lōemis)
17 - The Tote, Melbourne (with Black Cab)
+ Belle Phoenix & Jeffrey Wegener
18 - The Tote, Melbourne (with Black Cab)
+ Tongue Dissolver
20 - Brisbane Powerhouse, Brisbane
21 - Factory Floor, Sydney
+ Rebel Yell
24 - Ed Castle, Adelaide
+ Messianic Gloss
25 - The Milk Bar, Perth
+ Streets of Separation
Tickets
Indie Sounds of the Harbour City Vol 2
Launch Tour
JUL
3 - Dissent Bar, Canberra ACT
4 - Ryans Hotel, Thirroul
5 - The Marlin Hotel, Ulladulla
10 - Hamilton Station Hotel, Newcastle
11 - Six String, Erina
12 - Deadsset, Darlinghurst, Sydney
17 - Lou Lou Room, Wynnum, QLD
18 - Coffs Harbour Hotel, Coffs Harbour, NSW
19 - Blah Bar, Lismore, NSW
24 - Crowbar Sydney
25 - Vi-Nil HQ, Ourimbah, NSW
26 - Link & Pin, Woy Woy, NSW
31 - The Vic, Orange, NSW
AUG
1 - Crossroads, Dubbo, NSW
7 - Diamond Dogs, Dapto, NSW
8 - Wings & Tins, Dee Why, NSW
Amammoth + None For One
+ Old Heathens + Buzz Wagon
+ The Limited + Headspacer
+ My Velvet Exit
Lazy Thinking, Dulwich Hill, NSW
2.30-11PM
- July 25
Smoked Salmon
Totally Sick!! Tour
JULY
24 - Mojo's, Fremantle, WA
25 - Prince of Wales, Bunbury, WA
31 - Bridge Hotel, Castlemaine, VIC
AUG
1 - Shotkickers, Thornbury, VIC
2 - Wheatsheaf, Adelaide, SA
6 - La La La's, Wollongong, NSW
7 - Petersham Bowling Club, Petersham , NSW
8 - Link & Pin, Woy Woy, NSW
9 - The Oak Tighes Hill, Newcastle, NSW
(free)
14 - Tanswells, Beechworth, VIC
(free)
15 - Smiths Alternative, Canberra, ACT
21 - Republic Bar, Hobart, TAS
22 - Royal Oak, Launceston, TAS
28 - Junk Bar, Brisbane, QLD
29 - Blah Bar, Lismore, NSW
30 - Cabarita Beach Club, Cabarita, NSW (free)
SEP
4 - Young St Tavern, Frankston, VIC
The Exploding Universe of Ed Kuepper
Ed Kuepper 50 Years Retrospective
JULY
30 - Avoca Theatre #
31 - Canberra, The Street
AUG
1 - Wombarra Bowlo
6 - Adelaide, The Gov
8 - Melbourne, National Theatre
9 - Barwon Heads Hotel
15 - Fremantle, Freo Social
20 - Brisbane, The Princess
21 - Coffs Harbour, The Jetty Theatre
22 - Murwillumbah, Regent Theatre
27 - Sydney, Enmore Theatre
Tickets
Huxton Creepers
12 Days To Paris Tour
AUG
7 - Sooki Lounge, Belgrave, VIC
+ Icecream Hands
8 - Croxton Bandroom, Thornbury, VIC
+ Icecream Hands
14 - Marrickville Bowling Club, NSW
+ The Johnnys
15 - Marrickville Bowling Club, NSW
+ The Johnnys
16 - Hamilton Station Hotel, Newcastle, NSW
(afternoon show)
+ The Johnnys
21 - Norton Music Factory,
Caloundra, QLD
+ The Johnnys
22 - Crowbar Brisbane, QLD
+ The Johnnys
+ Mick Medew and Ursula
23 - Wallaby Hotel, Mudgeeraba, QLD
(afternoon show)
+ The Johnnys
The Damned
Final Damnation 50
Australia and New Zealand
SEP
8 - AUCKLAND, Powerstation
10 - SYDNEY, The Opera House
11 - BRISBANE, The Tivoli
13 - MELBOURNE, The Forum
Tickets
Public Image Ltd
Australia and NZ
JAN
20 - Auckland, Powerstation
22 - Brisbane, The Tivoli
23 - Sydney, Enmore Theatre
24 - Melbourne, The Forum
26 – Adelaide, The Gov
28 - Perth, The Astor