- Details
- By Robert Brokenmouth
- Hits: 4988
Hunky Punks have been playing the traps around Adelaide over the last year or so, gaining an enthusiastic following, and look like heading interstate. Telling you now: see them. The sheer breadth of improvement over such a short space of time is somewhat gobsmacking. Get "Fly High".
Unlike those bands who practice twice before their next gig, the Hunkies are well-tight, snappy, light, powerful, strong and basically "Fly High" is going to get well and truly into your head. I love the way each song veers away from the last; there’s so much rich variety here, so much gritty eloquence you’re dancing way before you know it. Matt Hills’ production is damn fine, and if the world were a bit fairer, the majors should be crawling up the arses of Messrs Simpson, Omsby, Becker and Grasel.
- Details
- By Robert Brokenmouth
- Hits: 7583
Future Folklore is very much a new label; "Leftovers and Rarities" bears the product number FFR001. It’s a vinyl record first; and limited at that, which means because the band are damned popular in Europe, if you’ve heard the Dead Brothers, you want it and you’re going to regret forking out for Prince last week or whenever it was.
The odds ’n’ sods of most bands don’t usually make for decent records, though, let’s face it. For every great KISS LP, there’s a wagon-load of stinkers. “Black Moose”was the last time I reviewed The Dead Brothers; so rather than be fair about this, I’m going to ignore all the trainspotterish notes other journos will jump on, and treat “Leftovers and Rarities” as a new, possibly “lost” album.
- Details
- By Robert Brokenmouth
- Hits: 6460
Contrary bugger that he is, while this hasn’t quite been released, quite a few radio shows are playing tracks; this is probably because the DJs have all contributed to Kim’s crowdfunding site and have been snaffling the thing. And no wonder, because My Script is a ripper of a CD, all raucous yet bedroom-y, intimate and deafening by turns.
It’s also quite clear that this is Kim’s first "real" solo LP, allowing us to see the full gamut of his talent. Miles Mumford is in the production chair, in between contributing poignant soundscapes.
On the back cover, “All Rights Reserved” is followed by “All Wrongs Righted”. In a way that’s typical of the man Salmon; I mean, yeah, it’s bit of flung-out wordplay, but imagine setting out a task so hopelessly impossible to complete…
- Details
- By Robert Brokenmouth
- Hits: 6215
Seems that the long EP is the way to go. A CD single was always a bit naff, a CD EP was okay but seemed a little wasteful in terms of time; a full CD these days is the equivalent of a double vinyl LP back in the mists of time.
Speaking of going back, a decent 7” was a work of art, whether it be by the Clash or the Psycho Surgeons, the Cramps or The News (I’ll never forget the first and only time I’ve held a single-sided single in my hands - utterdelight and incomprehension all at once). An EP was harder to achieve but was still a work of art.
- Details
- By Edwin Garland & The Barman
- Hits: 14333
Now I have to be upfront here. During the early '80s I was a huge Sacred Cowboys fan. I only saw them twice in Sydney but felt they were The Real Deal: a band in this territory of cool, alternative cowboy/Delta punk be that was coming from USA via people like The Gun Club and Wall of Voodoo, yet with a savage savage edge that was a nod to the "Blood River" period Scientists.
“Nothing Grows in Texas” simply was one best Australian singles of the '80s. Of courses Molly Meldrum slagged them off on TV on "Countdown". So we all knew they had so much going for them. At the centre was Garry Gray and his sneering vocals, somewhere between Alex Chilton and Jonathan Richman with a belly-full of hard, home brewed liquor.
- Details
- By The Barman
- Hits: 5842
Let’s make the assumption that many people reading this will never have heard anything from Californian band Love’s substantial back catalogue and they’ll barely know the band’s singer and only constant member, the late Arthur Lee.
There might be a vague recollection of “My Little Red Book” (a Burt Bacharach-Hal David cover, for gawdsake) or the New Christs’ flint-hard version of “She Comes In Colours” (on the “Pedestal” EP). But that's it.
- Details
- By The Barman
- Hits: 6658
The shadow of the original Saints looms large in most places where people give a toss about punk rock but Switzerland seems the most unlikely. Think Switzerland and banks, cuckoo clocks and expensive chocolate spring to mind before “Nights in Venice” but then you’ve probably never heard of The Goodbye Johnnys.
The Goodbye Johnnys are named after a Gun Club song and hail from Zurich but Petrie Terrace, Brisbane, (circa 1976) is their spiritual home. Their LP sounds a lot like the early Saints with less sonic leakage and a few rough edges filed off.
- Details
- By The Barman
- Hits: 6239
Hardcore is an odd beast. Visceral energy is its stock-in-trade. All too often it paints itself into a corner and whatever it has to stay is lost in a blur of downstrokes and angry intentions. Then somebody works out that you can play with dynamics and (shock!) melodies.
Perth band Leeches! stand out because they can do both. “Blurred Visions” is compelling, surging punk rock that seethes and burns - but also surprises with its no-nonsense harmonies and skilful playing. It reminds of Massappeal’s more creative stuff or even Off! That’s no faint praise.
- Details
- By The Barman
- Hits: 6138
About that band name: These guys hail from Ballarat in regional Victoria, Australia. Their touring schedule is unlikely to include the USA after they unwittingly named themselves with a derisive term for African Americans. You Yanks may know the term but it's almost unheard of in Australia. The faux pas is a pity because this album is a cracker.
“Should’ve Stayed Home” is a big step up from the debut record, “Devil’s Road”. It’s fuzzier, dirtier, nastier and more in your face. There’s a foot planted in rock and roll’s nursery (that’d be the 1950s) but they’ve taken it to a new sonic level.
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The Living Eye
I-94 Bar presents
Chris Masuak’s Dog Soldier
“The Shiny Side Tour”
OCT
8 - La La La’s, Wollongong, NSW
+ The Sugar Beats
+ Buzz Wagon
Tickets
9 - Smith’s Alternative, Canberra, ACT
+ ZZG
Tickets
10 - Shotkickers, Thornbury, VIC
+ Grindhouse
+ The Girlies
Tickets
11 - Trash Cult, Bendigo, VIC
+ Trip Hazard
(matinee)
Tickets
15 - Hamilton Station Hotel, Newcastle, NSW
+ SPLODGE
(free)
16 - Federal Hotel, Bellingen, NSW
+ Love City Radio
(free)
17 - The Cave Inn, Brisbane, QLD
+ Mick Medew & The Ursula 4
+ The Spivs
Tickets
18 - Vinnies Dive, Southport, Gold Coast, QLD
+ Mick Medew & The Ursula 4
+ The Spivs
Tickets
23 - Link & Pin, Woy Woy, NSW
+ The Dunhill Blues
Tickets
24 - Marrickville Bowlo, Marrickville, NSW
+ Fuck The Neighbours
+ The Stallers
Tickets
Negative Approach (US)
Australian Tour
OCT
21 - Lynott’s Lounge, Perth, WA
22 - Ed Castle, Adelaide, SA
23 - The Tote, Melbourne, VIC
24 - Singing Bird Studios, Frankston, VIC
29 - The Baso, Canberra, ACT
30 - La La La’s, Wollongong, NSW
31 - The Chippo, Sydney, NSW
NOV
6 - Vinnies Dive Bar, Southport, QLD
7 - The Brightside, Brisbane, QLD
8 - Black Box Theatre, Nambour, QLD
Tickets
Troy Tempest
Ace Traffic Reporter
presents
"Apocalypse Mayhem 2026"
The Dark Clouds
+ Slack Punks
+ Van Ruin
+ Kung Fu Grip
+ DISGRACELand
MoshPit, St Peters, NSW
- Oct 23
Tickets
Shonen Knife (Japan)
“Re-cuttin’ Australia/NZ 2026”
OCT
14 - The Tote, Melbourne, VIC
+ Moler
15 - Volta, Ballarat, VIC
+ Moler
16 - Sooki Bar, Belgrave, VIC
+ Moler
17 - Croxton Block Party, Melbourne, VIC
18 - Altar, Hobart, TAS
21 - Milk Bar, Perth, WA
+ Turnstyle
22 - The Gov, Adelaide, SA
+ Moler
24 - ZED51
Roma Street Parkland, Brisbane, QLD
w/ Mudhoney
+ Custard + The Mark Of Cain
+ Cash Savage & The Last Drinks
+ Tape/Off
25 - Alice Springs Brewing Co,
Alice Springs, NT
28 - The Baso, Canberra, ACT
+ Turnstyle + Media Puzzle
29 - Crowbar, Sydney, NSW
+ Turnstyle + Media Puzzle
30 - Keystone 1889, Bathurst, NSW
+ Turnstyle + Media Puzzle
31 - Avalon RSL, Avalon Beach, NSW
+ Turnstyle + Media Puzzle
NOV
1 - King Street, Newcastle, NSW
+ Turnstyle + Media Puzzle + Nursery Crimes
24 - Trash Cult, Eaglehawk, VIC
7 – 8 Tidal Sounds Music Festival
w/ Hard-Ons, Bodyjar, The Porkers,
Youth Group, The Grogans + Peach Fur and more
Hoey Moey, Coffs Harbour, NSW
New Christs
NOV
21 - The Brightside, Brisbane, QLD
+ Suicide Country Hour
+ Mick Medew & The Ursula 4
The Bawdies (JP)
“This Is The Party” Australian Tour
6 - Factory Floor, Sydney, NSW
+ PocketWatch + Jupiter 5
7 - River Rocks 2026, Geelong, VIC
8 - Bergy Bandroom, Brunswick, VIC
Tickets
Joeys Coop
NOV
28 - Blah Bar, Lismore, NSW
29 - Junk Bar, Brisbane, QLD (arvo)
The Cribs (UK)
"Selling A Vibe" Australian Tour
OCT
4 - 170 Russell, Melbourne, VIC
5 - Factory Theatre, Sydney, NSW
6 - The Triffid, Brisbane, QLD
8 - Rosemount Hotel, Perth, WA
Mudhoney
Australia-NZ 2026
OCT
16 - The Thornbury Theatre, Melbourne VIC
17 - Torquay Hotel, Torquay VIC
18 - Theatre Royal, Castlemaine VIC
20 - Volta, Ballarat VIC
21- Felons Barrel Room, Manly NSW
22 - Factory Theatre, Sydney NSW
23 - King Street, Newcastle NSW
24 - ZED 51, Brisbane QLD
25 - The Northern, Byron Bay NSW
28 - Blue Smoke, Christchurch NZ
29 - Meow, Wellington NZ
30 - Totara St, Tauranga NZ -
31 - Harbour Hotel, Raglan NZ
NOV
1 - Double Whammy, Auckland NZ
The Exploding Universe of Ed Kuepper
Ed Kuepper 50 Years Retrospective
RESCHEDULED
OCT
29 - Avoca Theatre, NSW
30 - Canberra, The Street Theatre, ACT
31 - Wombarra Bowlo, NSW
NOV
4 - Adelaide, The Gov, SA
5 - Melbourne, National Theatre, VIC
6 – Geelong, Barwon Heads Hotel, VIC
7 - Sydney, Factory Theatre, NSW
(matinee & evening shows)
13 - Fremantle, Freo Social, WA
15 - Brisbane, Princess Theatre, QLD
Tickets
Reverend Horton Heat (US)
Australian Tour
NOV
11 - Crowbar, Brisbane, QLD
+ The Linelockers
+ Jake & The Cadillacs
+ DJ Lori Lee
12 - The Gov, Adelaide, SA
+ The Satellites
13 - Factory Theatre, Sydney, NSW
+ The Johnnys
+ Pat Capocci
14 - Croxton Bandroom, Melbourne, VIC
+ The Johnnys
+ Ezra Lee & Jumpin' Jethro
15 - Theatre Royal, Castlemaine, VIC
+ The Johnnys
Hoodoo Gurus
"Rewind Tour - All Killer, No Filler"
+ Ratcat
+ The Stems
NOV
28 - Hindley Street Music Hall, Adelaide, SA
DEC
1 - Ice Cream Factory, Perth, WA
5 - Tumbalong Park, Sydney, NSW
6 - Royal Botanic Gardens, Melbourne, VIC
11 - Fortitude Music Hall, Brisbane, QLD
16 - Odeon Theatre, Hobart, TAS
The Saints 73-78
UK Tour with The Damned
NOV
25 - Brighton, Dome
27 - London, British Airways ARC
28 - Bristol, Beacon
30 - Manchester, Academy
DEC
1 - Newcastle, O2 City Hall
2 - Derby, Vaillant Live Derby
5 - Birmingham, O2 Academy
The Saints 73-78
Australian Tour
JAN
21 - Newcastle, King St
+ Chimers
22 - Sydney, Metro
+ Antenna
23 - Wollongong, Waves
+ The New Christs
29 - Brisbane, Tivoli
+ Tape / Off
30 - Gold Coast, Miami Marketta
+ Mick Medew & The Ursula 4
FEB
2 - Perth, Astor
+ Last Quokka
4 - Barwon Heads, Barwon Heads Hotel
+ dB4
5 - Melbourne, Croxton
+ Public Figures
Public Image Ltd
Australia and NZ
JAN
20 - Auckland, Powerstation
22 - Brisbane, The Tivoli
23 - Sydney, Enmore Theatre
24 - Melbourne, The Forum
26 – Adelaide, The Gov
28 - Perth, The Astor
"Superpussy 2"
The Supersuckers
+ Nashville Pussy
+ Nine Pound Hammer
FEB 2027
18 - Crowbar, Brisbane, QLD
19 - Mo's Desert Clubhouse, Gold Coast, QLD
20 - Crowbar, Sydney, NSW
24 - Ed Castle, Adelaide, SA
26 - Barwon Club, Geelong, VIC
27 - Croxton Bandroom, Melbourne, VIC
28 - Young Street Tavern, Frankston, VIC
Respect The Rock Australian Tour
The Hellacopters + Gluecifier
MARCH
17 – Brisbane, The Triffid
18 – Sydney, Manning Bar
19 – Melbourne, The Croxton
20 – Adelaide, Ed Castle
Tickets
Fresh Reviews
-
Kennedy's Collaborations bear fruit
04 October 2026
-
Easy Action delivers another Stooges hit job
29 September 2026
-
The prank's on Mark E. Smith (but he's having the last posthumous laugh)
28 September 2026
-
It's not too late to take a chance on Perth's Volcanics
20 September 2026
-
This man needs to be Instutionalised
19 September 2026