Sydney gets a dose of The Mummies
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- By The Barman
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The Mummies need no introduction as one of the loudest stupidest most deranged bands on the planet and have been destroying lives, limbs and guitars worldwide since 1989. They’re visiting Melbourne and Adelaide for one week only - and now Sydney gets its chance.
Thursday, March 10 is the date and the venue is Hermanns Bar at Sydney University.
They’ll be joined by Psychotic Turnbuckles and Los Tones.
Tickets won’t last long and went on sale today here. It will sell out.
Why? These bandaged kooks are possibly one of the most legendary Punk/Garage bands on the planet. The Mummies originated the ‘Budget rock sound’ told SUB POP where to get off and now they will blow you a new hole right between those useless eardrums of yours.
The Mummies define what was to be a world-wide revolution of retardo rock and sloped-head slop that erupted in the late '80s and early ’90s, spawning so many bands you can’t even start to name them all.
You can rope in most of the riot girl movement, Beat Man, King Khan, and any of the hundreds of non corporate punk garage combos that are still wrecking guitars worldwide today.
Grande Ballroom movie released and it's Louder Than Love
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- By The Barman
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It’s been years in the making and "LOUDER THAN LOVE", the long-awaited documentary paying tribute to legendary Detroit music venue the Grande Ballroom, is finally available.
The Grande was the birthplace or breeding ground for the likes of the Stooges, the MC5, The Up and The Rationals. It also became a notorious killing field for visiting international bands who had to undergo a "trial by support band" where the locals did their best to blow them off the stage (sometimes succeeding.)
“LOUDER THAN LOVE: The Grande Ballroom Story” is Tony D’Annunzio’s first independent film as a producer and director. His movie chronicles the Detroit music scene in the late 1960s, as told through the eyes of the legendary bands that played there.
Fortean Times – The Holy Soul (Damn You)
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- By The Barman
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Ever heard an album from a band you’d thought had all but put the cue in the rack only to be knocked out of your seat? The Holy Soul has been slogging away around Sydney for a decade or more as one of those acts playing the all-too-familiar Game of Diminishing Returns.
You know that one. It’s where, through a combination of fickle fandom, demographic-driven media, venue turnover and diverging member interests, a band fades from view like the white dot on an analogue TV screen.
Appearances are deceptive. There’s been a bit happening in the background. In terms of getting onto the mainstream radar, however, The Holy Soul have been perpetual victims of their own nature. People like to grasp the familiar and The Holy Soul has traded in a strange mix of blues-rock that’s impossible to pigeonhole. So let’s all resist trying.
A Psychotic Xmas as the Turnbuckles prevail
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- By The Barman
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Jesse the Intruder of the Psychotic Turnbuckles
The Kings of The Combat Zone, the Psychotic Turnbuckles, returned to Sydney from Pismo Beach last Saturday night for a one-off Xmas show, presented by the I-94 Bar.
They were joined by Melbourne's Stoneage Hearts and Sydneysiders The Prehistorics in a no-holds-barred tag-team contest at Marrickville's Factory Floor. Shona Ross captured these images as the Turnbuckles triumphed in front of a packed house. Click more to see the images.
James McCann and The New Vindictives - James McCann and The New Vindictives (Beast Records)
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- By The Barman
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Tags are annoying to most musicians but even James McCann must acknowledge he gets to wear the ‘veteran’ badge when he arrives at the company Xmas party by now. There at the earliest days of The Drones and Nunchukka Superfly, he’s been one of those “best kept secret” solo artists Australia seems to bury for more than a decade, making a name for himself in his adopted home of Melbourne (and in France) but deserving much wider attention.
“James McCann and The New Vindictives” was a couple of years in gestation with French label Beast Records taking its time to squeeze it into their schedule. Contrastingly, the band and the recording came together with spontaneity very much the name of the game.
Good Night and Good Riddance. How Thirty-Five Years of John Peel Helped Shape Modern Life by David Cavanagh (Faber)
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- By Robert Brokenmouth
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He was a BBC DJ. On the back cover there are heartfelt quotes about him from musicians as diverse as Jack White, Johnny Marr, Elton John, Robert Plant, Nick Cave and Elvis Costello.
His name was John Peel.
Here’s a comment about him from Carlton Sandercock, who runs Easy Action Records in the UK:
“John Peel was quite possibly THE most important person on the radio anywhere ever ... to find a DJ that championed new bands, unsigned bands, punk bands, bands of every genre…and encouraged growth when he was employed by one of the biggest corporations in UK is staggering to say the very least … I never met him but did have him stamping on the floor trying to get me, Annie Nightingale and Nikki Sudden to shut up…
Come back Lucinda, all is forgiven
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- By Bob Short
- Hits: 5498
Truth be told, Lucinda Williams’ last tour of Australia in support of the "Little Honey" album was a little disappointing. And by a little you can read a lot. I had pretty much said I would never attend one of her concerts again. Ever. All right. It was more severe than that. Blood was spilled and oaths were sworn. A goat may have been sacrificed.
So what was wrong with that show? Vague and disorientated, Ms Williams stumbled around the stage in a manner suggesting someone had slipped her a Rohypnol and it may well have been her. She kept telling us how great it was to be playing in a rock and roll club. The “rock and roll club” in question was the all-seated Enmore Theatre.
The seats were so tightly jammed against each other that you couldn't clap for fear of putting someone's eye out. The band laid down a brutal four-on-the-floor boogie. She indulged in strange off beat dance steps, shifting weight from foot to foot and clapping hands above head. These activities seemed to bear no resemblance to the placement of snare and bass drum.
The Hydromatics – The Hydromatics (Easy Action)
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- By The Barman
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What do you reckon we’re gonna say about it? One of the greatest releases of the 1990s – a downright patchy time for Real Rock and Roll – that’s been given a re-mastering spruce-up and coupled with a stack of bonus cuts? Damn right that it rocks - far more than any grunge or shoegazer crap of its time.
Originally entitled “Parts Unknown” and issued on the White Jazz label in 1999, this album has been impossible to find for years now and it’s more than stood the test of time. The Hydromatics were a “supergroup” led by Michigan rocker Scott Morgan joined by Nick Royale (Hellacopters) on drums, Tony Slug (Nitwitz, BKG) on guitar and Theo Brouwer on bass (both hailing from Europe’s own Murder City, Amsterdam), they kept the light burning for the music of Sonic’s Rendezvous Band.
The Prettiest Star. Whatever Happened to Brett Smiley? By Nina Antonia (SAF)
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- By Robert Brokenmouth
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This book completely beggars belief. Top marks and way, way beyond. It’s also utterly brilliant as well as being compelling reading. It’ll have you ranging your emotions from laughter to sorrow and is so well researched (Nina doesn’t bother much with academic references as her books come mostly from her own interviews and experience) and put together … words completely fail me.
If you’ve read any of Antonia’s other books (on the New York Dolls, Johnny Thunders and The Only Ones) and enjoyed her style and intelligence … The Prettiest Star is so far ahead that it may as well be the best fiction you’ve ever read, except it’s all true.
I can’t believe that you’ll recall Brett Smiley. He had one hit, “Va Va Va Voom”, in the UK in 1974, at the height of that bizarre post-6ts glam and pop period where decent songs were generally in short supply in the charts. Oh dear, much like now? Really? I’m shocked.
- New book lifts the lid on the art of Aussie punk and post-punk 45s
- Richie to fly Ramones flag in Australia
- Looking out for Johnny: Author Nina Antonia on Thunders, the Dolls and The Only Ones
- Adelaide's Captain Spud inspires no fear or loathing but brings lots of weird
- Voodoo Lust turns back the clock as Sydney sizzles
- Birdman re-issues on CD announced
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