For us fans in the USA, the Small Faces were the band that was always on the “coming soon” board at the Fillmore. It wasn’t until "Itcyhcoo Park" that there was a record you could easily buy locally. A couple of rare early period singles had been released, but none of us had ever seen them.
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- By Ron Sanchez
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It’s their fifth studio album and it’s tempting to say the lines have become blurred between Nunchukka Superfly and the Hard-Ons, from which two of its three members are drawn. That’d be convenient but also wrong.
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- By The Barman
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A compilation of 17 of the most bent, raucous and screwed up lo-fi musical artists from New Zealand? Sounds like a concept worth bottling and who better than Switzerland’s Voodoo Rhythm to bring it on?
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- By The Barman
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Whether the label finds them or the bands are now lining up at the door proffering their latest recordings, matters not a zot. Alive Naturalsounds has firmly established itself as the Los Angeles-based home for America’s legion of early-to-mid ‘70s styled hard rock acts and Mount Carmel are its latest recruits.
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- By The Barman
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Another day, another blues duo. Or so it seems. The economics of travelling light are obvious for a band playing ballsy blues-rock in these lean times, so it’s a relief when they actually sound good.
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- By The Barman
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Freakbeat doesn’t swing much more than than this. Perth’s High Learys are children of the ‘60s, metaphorically speaking, from their meticulously ruffled haircuts down to the pointy tips of their winkle-picker boots. If such retrofitting offends your sensibilities, leave now.
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- By The Barman
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