Never underestimate rock and roll’s ability to look inwards, and backwards, to re-heat its own bones in an attempt to sound new. Cue Lonesome Shack, who hail, geographically if not spiritually, from the flanellete shirt and trucker cap American frontier of its North-West.
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- By The Barman
- Hits: 5520
It seems a lifetime ago when the two great outposts of Sydney rock and roll were its northern and southern beaches. They were feeder tributaries to the inner-city and spawned bands like the Celibate Rifles and the Trilobites, to name just a couple.
The venues that were their spawning grounds have long closed down, the bands willing to play their own music thin on the ground. Only a hardy few are still willing to take a risk and make the swim up-stream.
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- By The Barman
- Hits: 7233
The New Christs have a long history running through possibly the most convoluted list of line-up changes any band has endured and still retained a moniker. This has meant new albums have held a certain fear factor. What will they sound like this time? Can anything they do compare to the towering peak of “Distemper”? Let’s face it. If that’s your five-star album, you have a lot to live up to.
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- By Bob Short and The Barman
- Hits: 9305
No one really sounds quite like Suzie Stapleton. Being an original artist, that is a supreme compliment. Suzie also really takes risks with her music - and that is another compliment.
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- By Edwin Garland
- Hits: 5494
Adelaide has a history of swaggering, scrunching rock and roll bands who manage to spit out one single or EP and vanish into the backwater. Acid Drops and Die Dancing Bears, for example. Few are lucky enough to release an LP and get away with it like, say, The Primevils and the Exploding White Mice.
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- By Robert Brokenmouth
- Hits: 6548
"There is a lot of junk on the radio, take a look if you don’t know,” Ed Kuepper declares on the opening track of “The Return of The Mail Order Bridegroom”. The mood is reflective and stripped-back with the acoustic chords ringing in an underpinning soundscape.
Ed’s solo career over the last 30 years has been prolific, emerging from the dust and legacy of arguably one of the world’s great proto-punks bands, The Saints, who were way too cool and intelligent for Old Blighty, and continuing with the magnificent direction that that he took his music with Laughing Clowns.
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- By Edwin Garland & The Barman
- Hits: 6839
Guitar pop like this has no equal. Rob Griffiths has been writing and playing it longer than anyone can remember. Little Murders are a Melbourne institution and the current line-up is the longest serving. Each of these facts is connected.
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- By The Barman
- Hits: 7088
Aztec Music once again has done a brilliant job with great remastering, a massive booklet with liner notes, band interviews and tons of photos. Plus 2 rare bonus tracks (a 7” edit/mix of "What’s Going On" and a live GTK recording of "United Nations"). Aztec have done such a good job that the bootleggers have actually had the nerve and audacity to cry unfair...Ha! Maybe the bootleggers should pay the band some royalties first, before complaining too much.
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- By Steven Danno-Lorkin
- Hits: 5760
I remember when I first bought this album. It would have been around 1974 or '75 on my first visit to Sydney's famous Ashwoods Records in Pitt Street (RIP). Being a poor high school student, the idea of cheap second-hand albums was cool beyond words! For about $2-3 each I scored Slade "Slayed", "Black Sabbath Vol 4" and, of course, Buffalo’s debut LP "Dead Forever".
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- By Steven Danno-Lorkin
- Hits: 5570
More Articles …
- Mother's Choice and Average Rock 'n' Roller - Buffalo (Aztec)
- Volcanic Rock - Buffalo (Aztec Music)
- Lexington - Wayne Kramer & The Lexington Arts Ensemble (Industrial Amusement)
- Sunnyboys - Sunnyboys (Festival)
- Stillpoint + Butterfly Farm - Madder Lake (Sandman)
- Faster…Louder. The Dictators’ Best 1975-2001 - The Dictators (Raven)
Subcategories
Behind the fridge
Artifacts and reviews from days gone by.
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