Nearly six years after it came out on vinyl, French label Pitshark has re-issued this unpolished gem from deepest, darkest Brisbane on CD in a fold-out seven-inch single pack.
Back then we opined that "Why?" was "equal parts wrecking ball guitar, sledgehammer bass and drums and can't-give-a-fuck punk slop" and there's no reason to resile from that.
We also said that "Ich Bin Ein Esel ("I Am An Ass") will sit you on your arse quicker than a six-pack of Coopers Pale Ale drunk through a straw on a stinking hot day", so if the rest of this lazy review reads like you've heard it all before, then you have...
- Details
- By The Barman
- Hits: 4602
Belated reviews are the best reviews. You know, better late than never.
Eleven days have elapsed since feedtime played Marrickville Bowling Club. The excuse for the late review is that the tinnitus needed time to subside. No, there are never excuses, only reasons. After experiencing two - Two sets! Count ‘em! - sets by feedftime in one night, you need time to get over it.
Not time to analyse it. Music like theirs should never be picked over like an insect that ends up pinned to a back-board in a display case at the Australian Museum. As if you didn’t know, feedtime plays music from the guts, not the head.
Allow me a brief Robert Brokenmouth-style digression.
- Details
- By The Barman
- Hits: 7768
Being a punk rock institution in Brisbane and six bucks might buy you a banana thickshake in Brunswick Street Mall. Reality is that you’re as likely to lock ears with the harsh blare of techno as dirty rock ’n’ roll in today’s Fortitude Valley.
That’s why you have to admire the underground rock and roll scene in the capital of Australia’s sub-tropical north, for its quality as much as its resilience.
Which nicely segues to The Dangermen, whose 17-year existence must qualify them for rock and roll’s version of seniors cards. Which, along with their Brisbane Institution status, should at least get them that thickshake at a discount.
- Details
- By The Barman
- Hits: 4674
Chris Masuak is embarking on his first French tour in three years in January 2018 with a new band, Chris Masuak’s Dog Soldier.
Masuak carries one of rock 'n’ roll’s proudest pedigrees, his musical history reading like a “Who’s Who” of the Australian underground, so he should need no introduction around here.
The Canadian born Masuak first achieved notoriety as the teenage guitarist for legendary Radio Birdman, the torch-bearers of punk rock in Australia.
He subsequently went on to form The Hitmen, played in the New Christs and the Screaming Tribesmen and now lives in Spain where he plays and tours regularly.
Dog Soldier celebrates and preserves that proud tradition, with members from Europe’s underground and cult elite.
Bruno Mondo, bass player from The TV Men, Gunners, Trotskids and The Outside, is a veteran of France’s punk rock scene. Juan Martinez El Karaq is the drummer, from Spain’s hardcore elite and Masuak's power-punk trio, Viveiro Wave Riders.
JANUARY
10 - Paris/Montreuil - Armony Live
11 - Le Havre - L’Escale
12 - Brest - Le Ptit Minou
13 - Rennes - Mondo Bizarro
14 - Vannes - Jam Session
15 - Rennes - Ty Anna Tavarn
- Details
- By The Barman
- Hits: 6773
You may, or may not, see this book in shops. If you do, buy it. Most of the readers here will want to read the New York section. So don’t hesitate.
But I’m s’posed to be a critic or something and The Barman wants to know: how many McGarretts? In spite of the several things which annoy the hell out of me, "City Primeval" rates a mighty Three McGarretts. Yep: 100 percent..
Why so high, Grand-dad?
Well, the concept alone is mighty. And it could’ve been seriously terrible. But "City Primeval" is one of those unique, slanted historiography things which are invaluable to any music/ culture enthusiast. Sure, the book could’ve done with a decent editor, and sure some of the people writing here don’t usually write so it’s not the smoothest.
But that’s not the point, at all, and in fact is part of the charm. Reading "City Primeval" doesn’t just give us a bit more context, but part of the "ah-HA!" understanding which so many outsiders to any florid scene lack.
- Details
- By Robert Brokenmouth
- Hits: 4729
Is community radio the new face of music consumption for people who care about music? ROBERT BROKENMOUTH thinks so in this appraisal of the format, with a special focus on Adelaide station 3D Radio and its Mike Drive program.
Napster, eh? Who remembers those sites? Where - wow - you didn’t have to pay for your music (if the site had it). Assorted court cases and many decades later we are stuck with several sad truths.
The first, and most obvious, is that "file sharing" and "streaming", "burning" and "ripping" are as ordinary an activity as picking the newspaper off the lawn used to be.
The difference is that theft is now so common that it’s not comprehended as either theft, or wrong.
- Details
- By Robert Brokenmouth
- Hits: 5251
“It is difficult to get a man to understand something, when his salary depends on his not understanding it.” ― Upton Sinclair
Some chipper go-getter types, reportedly, have had wonderfully gratifying early educational experiences, they seem to remember fondly. They are most often, obedient Ken & Barbie yearbook committee types with prominent last names, from bigass two storey homes nestled behind many old trees, and have nice cursive handwriting and strong math skills, own a lot of golf shirts in at least 31 various shades of Baskin Robbins, dutifully participate in sports, roller-skate, cheer-lead, earned many merit badges, and have already memorized the entire big bamboozle bullshit whitewash Murkkkan history that photo-shops all the hard and painful facts about this violent blood soaked empire settler colony that was built on the genocide of natives with the labor of slaves.
- Details
- By General Labor
- Hits: 6789
The Aints, the powerhouse vehicle of singer-guitarist Ed Kuepper, bassist Peter Oxley, drummer Paul Larsen and keyboardist Alister Spence, will encore in Sydney and Melbourne in March, ahead of new recordings with producer Phil Punch.
The band will be joined by the three-piece brass section to play material by Kuepper’s adolescent band The Saints (’73-78).
Underground legends feedtime are on the undercard in Sydney (The Manning Bar on March 9) and Melbourne psychedelic five-piece Sand Pebbles will complete the line-up in the southern capital (Thornbury Theatre, March 23).
- Details
- By The Barman
- Hits: 2707
It could have been called “Short Lives Of The Poor and Obscure”.
Like Reals, Negatives, Young Charlatans and News/Babeez, The Fiction is but a footnote in Melbourne punk’s earliest days, briefly existing from 1978-79. They released a posthumous EP under the name Little Murders, kickstarting that enduring brand and the career of its leader, Rob Griffiths. They also enjoyed the patronage of the rightly-lauded Melbourne punk mover and shaker Bruce Milne and Pulp, the zine he ran with Clinton Walker.
The Fiction had a loose affiliation with those glam-sheep- in-punk-wolves clothing, La Femme, sharing a practice space and a manager. Musically, The Fiction seems to have been drawing more from bands like The Who and the Small Faces, although there’s undoubtedly a bit of Bowie in there, too.
- Details
- By The Barman
- Hits: 4740
More Articles …
Page 162 of 277