Who Cares Anyway? Post-Punk San Francisco And The End Of The Analog Age
By Will York (Headpress)
Will York has done such an exemplary job here, in that it is a deeply entertaining read even if you aren't already intimately familiar with bands like Caroliner, Flipper, Tuxedomoon, Thinking Fellers Union Local 282, Toiling Midgets, or Pop-O-Pies.
This thoroughly researched and frequently tragic tome is sure to appeal to any music fans who still long for the pre-gentrification era, when creatives could still afford to pay the prohibitively astronomical rent for warehouses and rehearsal spaces in big cities before unscrupulous landlords with big tech money killed off urban Bohemia in this country, with Judge Dredd "stop and frisk" class patrols and a nearly universal lack of accessible egalitarian neighborhoods for working class artists.
York delves deep into the avant garde, Flipper-informed history of Faith No More and Mr Bungle - way back when metal deedler Jim Martin was still partying with high school dude-metal stoner buds Cliff Burton and all through Courtney Love's inflammatory stint as vocalist. This pre-dates the Chuck Mosely era, when "We Care A Lot" crossed over into college radio and MTV airplay, long before when Mike Patton joined the group and they went supernova mainstream in the hyper-polished commercial whiteboy funk era of the band and their defiantly unpop experimental endeavors that followed.
I find the startlingly dangerous, death taunting, law scorning, ledge dwelling excesses of the Sleepers’ Ricky Williams and Michael Belfer of particular interest, but the heavy book is spilling over with twisted tales of debauchery, comedy, community and collaboration in the post-punk era. Recommended.
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- By JD Misfortune
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Artists (from left) Glenn Smith, John Foy, Simon Day and Ben Brown are ready to sign and validate your poster collection.
They’ve literally mapped the history of Sydney underground rock and roll shows on telegraph poles and walls for more than 50 years and now they’re taking a stand against bootleg artworks.
Poster artists Glenn ‘”Glenno” Smith, Ben Brown, John Foy and Simon Day are making themselves available to fans to have their rock posters officially verified in Sydney on Saturday, July 1.
It’s a free service but for an optional extra fee, The Poster Boys will sign and encode your poster confirming its authenticity and value for now, and into the future. It starts at 11am at: 11-13 Burnell Place, Darlinghurst - look for the big red doors.
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- By The Barman
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Legend Of The Bleeding Heart – Golem Dance Cult (Flying Rats)
Employing both organic instruments and all the latest digital technology, this Suicide-like duo have known each other since their teen years and have been collaborating off and on since then. Charles Why shares vocal duties along with production, bass, guitar, etc., while brooding and mysterious frontman Laur cuts a profile like a dashing cross between Peter Murphy and Ian Curtis. I dig their new album, thoroughly.
With membership drawn from Belgrave, Victoria (Australia) and Besancon (France), Golem Dance Cult has poetic lyrics that are super visual collages informed by ancient horror films, low budget sci-fi, vampires, Bowie, Frankenstein's monster, a haute couture eye for detail and ‘70's superstar celebrity glam rock pomp and circumstance.
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- By JD Misfortune
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News that a long-lost five-track release by Sydney band The Most was making its way onto streaming platforms has made the ears of veterans of Australia's 1980s underground scene prick up. The Most were among many terrific acts in a crowded inner-city Sydney scene, and a band that spawned future members of the Lime Spiders and The Cruel Sea.
Originally issued as a cassette in very limited quantities by fanzine "48 Crash", the "Another Day" EP is now available online, so we tracked down The Most drummer RICHARD LAWSON to extract some historical details. THE BARMAN did the interrogating.
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- By The Barman
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Saints and Laughing Clowns elder statesman Ed Kuepper is backing an extensive re-issue campaign of his solo back catalogue with a series of Australian shows under the moniker, “The Exploding World of Ed Kuepper".
Kuepper will be joined by the all;-star band of Mark Dawson on drums, ex-Sunnyboys bassist Peter Oxley, pianist Alister Spence and brass maestro Eamon Dilworth for a run through seven states and territories.
The Exploding Universe will tackle the best of “Electrical Storm” and “Honey Steel’s Gold”, the iconic Kuepper solo records being re-issued in re-mastered form in all formats right now by Remote Control label. All shows are fully seated and on sale now.
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- By The Barman
- Hits: 1981
Long-lost inner-Sydney pop-psych band The Most - whose members went on to major acts like the Lime Spiders and The Cruel Sea – is rising from the grave, digitally.
The early '80s band is remastering and releasing the EP “Another Day” this month. It will be available on all platforms later this month.
A staple of Sydney’s thriving inner-city scene, they supported such bands as Sunnyboys, The Church and Machinations and were finalists in the 1982 Battle of the Bands at the Strawberry Hills Hotel - eventually won by The Lime Spiders.
The Most recorded “Another Day” in 1982 and it was the first foray into the studio. Nevertheless, the recordings have a maturity about them, and Steve Lorkin from “48 Crash” fanzine was impressed enbough to issue it on cassette in ‘83.
Driven by the song-writing talents of vocalist Phil Thornton, the songs show influences as diverse as David Bowie,Lou Reed and the Rolling Stones.
Other members of The Most were Richard Lawson (drums and vocals), Ged Corben (lead guitar), Tony Bambach(bass) and Greg Owens (guitar).
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- By The Barman
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Jurgis Maleckas photo.
“The concept was taking the business model of The Eurythmics,” laughs Loki Lockwood, studio engineer, producer, Spooky Records label owner and, more recently, auteur behind the electro-noir-goth studio project Velatine.
“Because I’d been in so many bands that had fallen apart, the less people involved, the better! I didn’t want to be the singer or the focus. So with The Eurythmics, they were sort of the ideal: they’d come from being in a band, they’d fallen apart and then as a duo they developed this thing.”
Lockwood says he’d been “fucking around with electronic music since about 1986”. Australian electronic music pioneer OllieOlsen, music director on 1986 cult classic movie "Dogs in Space" in which Lockwood featured as guitarist in Marie Hoy’s band, suggested some artists for him to listen to further his knowledge of the genre.
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- By Patrick Emery
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Friends of Died Pretty drummer Chris Welsh have launched a GoFundMe campaign to help pay for treatment for lung cancer.
Welsh, who lives and works in rural Thailand, has flown to Australia for treatment ahead of a series of shows with Died Pretty in October.
The band’s singer, Ron Peno, is still undergoing medical treatment after a diagnosis of esophageal cancer in February 2019.
Says fundraiser organiser and former bandmate Robbie Warren: “Chris's extraordinary talent has helped to make Died Pretty the iconic band we all know and love. Unfortunately, Chris has recently been diagnosed with lung cancer, throwing his world and his loved ones into turmoil.
“Right now, Chris needs our support more than ever. Having dropped everything to return to Australia for urgent treatment, his initial lung cancer diagnosis lacks a biopsy leaving him very uncertain about the extent of the cancer.
“Chris is too humble to ask for help, so this fundraiser has been put together for us all to rally together and show our unwavering love and solidarity.”
Donate here.
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- By The Barman
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The Beasts – the band populated by the surviving members of the Beasts Of Bourbon - will perform two very special shows in Melbourne and Sydney this August to celebrate 40 years since the original band’s foundation.
Tex Perkins, Kim Salmon (guitar), Charlie Owen (guitar), Boris Sujdovic (bass) will be joined by drummer James Baker, fresh from the last-ever Victims show in Perth.
Friday, 11 August – Factory Theatre, Sydney
(Tickets)
Sunday, 13 August – Croxton Bandroom, Melbourne (Tickets)
Tex Perkins takes up the story:
Forty years ago, I was a skinny 18-year-old kid living in Darlinghurst in Sydney having the time of his life - playing gigs, taking and drinking everything within arm’s reach!
Constantly meeting and bonding with people in other bands who would turn out to be lifelong friends.
When my band up and left me in the dead of night by the side of the road with a month long residency, it was those friends that were there to help me pick things up and start again.
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- By The Barman
- Hits: 2213
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