This is the Modern World
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- By Robert Brokenmouth
- Hits: 4937
Ho to The Gov in Adelaide once more, for Vic of Mr V Music and the organiser of tonight’s barney headlined by Young Modern (pictured right), has kindly placed my name on the door.
As you may know, The Gov is opposite a vile concrete pissoir with the flashing lights known as the Adelaide Entertainment Centre, which also reminds me of a huge birthday cake concealing a rather unpleasant surprise for the party-goers.
Which is one more reason why going to the Gov is so enjoyable, because it is a haven of hospitality, pubby goodness, good cheer and competent and friendly staff.
There have been times when I’ve been at the Gov and seriously considered not crossing the road to see whatever humungous stars await inside the concrete barn, but simply to stay in the cosiness and get cosily and happily fuddled instead.
Love is a Gamble - Steve Wernick Band (RPM Records) & Cold Mother Night - Tom Redwood (Walking Bird Records)
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- By Robert Brokenmouth
- Hits: 4403
Both discs get five bottles. That’s really all you need to know. Go get them, here’s the contact details for Steve Wernick and Tom Redwood.
Good. Reviews completed. Payment in the usual manner, please Barman, used notes in a brown paper bag round the back of the cistern, third cubicle on the left, usual pub.
No? Bugger, you readers are a demanding lot.
Oh, all right then. Both albumss here deal with love and loss, despair and joy, isolation and continuity. There are a few similarities with the music, although really… both travel in different directions. Let’s begin with …
Rarebits - Fast Cars (Methodmusic)
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- By The Barman
- Hits: 4859
It's been mentioned here before that Fast Cars are a 1980s Sydney mod band, revolving around the creative core of Di Levi (vocals, guitar) and Fabian Byrne (guitar), that reformed a couple of years ago to make more music. This EP is their second since re-convening and was compiled for the “15th Dream of Dr Sardonicus Festival” in Wales earlier this month.
Mod is a label that suggests Union Jacks, sharp clothes, Vespa scooters and The Who, but Fast Cars aren’t constricted by the genre’s straight jacket. “Rarebits” comprises four old tracks and two new ones and takes the band deep into psychedelic pop territory.
Oh My! b/w The Silent Birds (First Take) - The Golden Rail (self released)
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- By The Barman
- Hits: 4611
Melbourne-via-Perth power-poppers The Golden Rail have released this as a taster to their forthcoming album. With a cv that includes playing with Header, The Rainyard, The Jangle Band, DM3, The Palisades, and Showbag, you could suspect it’s going to be good - and it is.
“Oh My!” Is lilting jangle-pop with with a sweet chorus reminiscent of a Robert Forster song. Written by the band’s creative core of Jeff Baker and Ian Freeman, it sounds like it dropped right out of the sky during paisley pop’s mid-‘80s heyday...right after the Go Betweens had seeded the clouds.
Welcome Aboard - The On and Ons (Citadel)
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- By The Barman
- Hits: 7415
Great guitar pop is timeless and that’s what Sydney’s The On and Ons have delivered (again) on their second long-player.
Well established on the strength of their 2015 debut, “It’s The On And Ons Calling”, Morris and Co have doubled down on the pop factor on “Welcome Aboard”. The rock is turned down just a tad and (to these ears at least) it takes a few more listens for the songs to take hold.
Truth-be-told, I almost marked it down half-a-beer for not rocking as much as the debut - but the pop smarts won out.
Nothing's Taboo in this Beat surrender
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- By Robert Brokenmouth
- Hits: 6338
Pange, Chris and Yolanda of Beat Taboo.
The Beat Taboo,
The Metro, Adelaide, Friday, August 18, 2017
The Grace Emily, Adelaide, Saturday, August 19, 2017
Pics by Mandy Tzaras
For a while there I didn’t think I’d be able to see any bands this weekend, as your poor scribe being pulled in several directions at once seems to be a bit of a hobby for some.
So we were only able to squeeze in Melbourne visitors The Beat Taboo on both nights of their Adelaide stand. I must apologise to the other bands, they know who they are, and, be reassured, I will see them again, properly.
In the meantime, I would like you to cast your mind back to the dimly recalled halls of the (yes, I know, here we go again) 1970s and 1980s.
Forever My Baby b/w The Last Time - The Dahlmanns with Andy Shernoff (Next Big Thing/Pop Detective)
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- By The Barman
- Hits: 5736
The advice doesn’t come often around here but when it does, it’s always free. So here’s a dose: If you see a record with The Dahlmanns’ name on it and you’re into powerpop, buy it. The same goes for Andy Shernoff (but you probably knew that already). This one has both so how can you go wrong?
The Dahlmanns are wife-and-husband, Line Dahlman and Andre Dahlmann, plus a bunch of other Norwegian Dahlmanns, currently Otto, Jan Erik, Magnus, and Pål. Shernoff is the songwriting genius behind The Dictators (R.I.P.) and his own solo work. Andy wrote both songs and duets with Line on the A side.
Oh Crash…- The Volcanics (Citadel Records)
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- By The Barman
- Hits: 6124
It’s a well worn path that The Volcanics tread but they’re not afraid to stretch out and take a slight detour on this, their fourth album. For the most part, however, “Oh Crash…” finds the Perth band doing what it does best: Delivering straight-up, guitar rock and roll.
Yes, the reference points are all obvious - at least to these ears. They include latter-day Asteroid B612, mid-period MC5 (without the tinny production) and the New Christs (in their sullen moments.) Vocalist John Phatorous has that steely edge and lets slip the occasional guttural utterance that conveys that he's not a man to be fucked with - at least on stage. He can sing the shit out of this sort of music, too.
How The West Was Won – Peter Perrett (Domino)
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- By Bob Short
- Hits: 4666
The Horniman Museum in South London is a monument to its founder's eccentricities. A giant stuffed walrus vies for space beside antique musical instruments. Medieval torture chairs sit next to a delightful selection of monk’s undergarments. Both horsehair and spiked.
They had a couple of live piranhas and a virtual history of pipe smoking. The Addams family would have felt right at home.
One unusual exhibition was a wheel of Chinese opium. It sat happily in its case for 80 years until some reprobate walked in, opened the case and vanished off into the English Autumn.
The legend shared by South London’s heroin users was the perpetrator was one, Peter Perrett. This wasn't based on fact. He just lived around the corner from the museum.
- The Mummies, Tex Perkins and King Khan in new Ozploitation film
- Guess who's coming to town again?
- Warm welcome looms for new On and Ons record
- The Devil Won’t Take Charity - Kim Volkman (self published)
- Binic Folks Blues Festival is a safe European home for Australia's best bands
- White Mice are Exploding - again
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