No Fool's Gold to be seen as Datura4 debuts in Sydney
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- By The Barman
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The term “jam band” first flashed across my radar in a small bar in Ann Arbor, Michigan, in the early ‘00s. It was in a pub called The Eight Ball, underneath the much more famous Blind Pig. I was lucky enough to be sharing a drink with Scott Morgan. (Ooops. I dropped a name.)
“Who’s playing upstairs tonight?”
“Some jam band.”
“A what…?”
feedtime poised to release first album in 20 years and here's a taste
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- By The Barman
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Much-loved Sydney blues-punks feedtime are releasing their first new album in 20 years on March 24. "Gas" will be on In The Red and "Any Good Thing" is the preview track. Pre-orders are happening here.
Against the backdrop of the burgeoning inner city music scene, feedtime was formed in 1979. Taking notes from the incendiary live shows of X and Rose Tattoo, feedtime set about creating their own interpretation of the events unfolding before them, a blues-noise that was equal parts abstract minimalism and working class roots-rock. Post-punk, yet right in the thick of it; miles ahead of the pack and not many seemed to notice.
Say goodbye? Hunnas have still got it
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- By Robert Brokenmouth
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Mark Seymour of Hunters and Collectors. Mandy Tzaras photo
Hunters and Collectors at the Clipsal 500 in Adelaide? Dunno about you but we started the year behind and so far we’re still behind. So we didn’t think we’d be able to go to this, and planned accordingly to see Fear and Loathing at the Metro instead.
It’s a nightmare place to navigate, is Adelaide. Circling the city are roadworks (which take four times longer to do than in Syd or Melb) and go-slower signs everywhere which result in funding for local government. This week’s big car race this week has caused 40 percent of the public transport and cars to divert, thus clogging up the rest of the roads; Festival and Fringe are cluttering up the place with doofus tourists in daggy clothing and "duh" expressions...
I know people who only visit the city between April and November because they can't stand it and are fed up with struggling through the traffic. A lot of "normal" businesses lose money because of it. And all, one suspects, to sell alcohol.
The Glory Days of Aussie Pub Rock Vol 1 - Various Artists (Festival)
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- By The Barman
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“What's he doing reviewing THAT?”
Only people of a certain age will “get” this review. The term "Guilty Pleasure" will not be used at any point.
Admit it, punk. If you grew up in Australia in the 1970s and ‘80s (OK, you were might have been underage and still growing up, but you could sneak into licensed premises) and lived anywhere outside of Melbourne and Sydney’s inner-city regions, a dose of Pub Rock was unavoidable. A way of life, even.
The Velvet Underground. Complete Released Works. Part Five
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- By Robert Brokenmouth
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So on to "The Velvet Underground" (aka The Third LP). As Velvets fans know, this is the first LP with Doug Yule replacing John Cale.
Disc One is the more usually recognised Val Valentin mix (the mix used for the 1980s reissue onwards); Disc Two is Reed’s slightly later ‘closet’ mix (the mix used for the original 1960s LP), or or Peel Slowly) and, for the first time in any broader sense, the Promotional Mono Mix (with the two shorter songs from the single).
The Val Valentin mix is the one I grew up with, as did several generations of later fans and musicians; so both mixes are obviously essential in the same box set, as is the rarely-heard promotional mono mix - it was several years became stereo became the norm, rather than mono. Curiously, the mono mix reduces the length of several songs, but adds a few bare seconds here and there.
In 2014, Discs Five and Six here were revelatory, ensuring purchase (one of the reasons I forked out). Most of these recordings were unreleased in 2014, but today, in the light of the "Matrix Tapes", surely they’re surplus to requirements.
I mean, there’s nothing wrong with these last two discs in themselves, or the order in which the songs appear here; these discs present the band doing two very different gigs; they’re at their most ferocious and their gentlest. Me, I rather enjoy the different tracking (to the "Matrix Tapes") which the Deluxe Box provides here, so I’ll be returning to these discs myself. But you shouldn’t need this box for that reason if you already have the "Matrix Tapes".
The Undertones go chasing Teenage Kicks in Australia
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- By The Barman
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Legendary first wave Irish punks The Undertones will make their live Australian debut this July.
The Undertones earned seven top 40 UK singles and three top 20 UK albums between 1978 and 1981. Their debut single "Teenage Kicks" was influential English DJ John Peel's favourite single of all time.
Gypsy Mojo - The Hollerin Sluggers (self released)
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- By The Barman
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Born out of a surf club fundraiser, this trio from the Manly Dam Delta on Sydney’s Northern Beaches have just rolled out album number two. “Gypsy Mojo” makes it clear that if The Hollering Sluggers have sold their souls to the Devil at the Brookvale Oval crossroads, they ain’t getting a refund.
The Sluggers are a trio playing blue collar blues with a distinct rock and roll edge. There’s no new ground being broken on “Gypsy Mojo” but that’s not going to worry fans of this style. It’s honest and unpretentious blues-rock.
How Dave Weyer helped Jimi and Neil shape the sounds of the '60s
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- By Ken Shimamoto
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Dave Weyer circa 1969: Sought after Hollywood sound architect.
DATELINE 1999 - If you're a regular here at the I-94 Bar, chances are good that you have a more than passing interest in the music of Deniz Tek. Granted, the Radio Birdman mastermind's music has taken a markedly experimental turn over his last couple of albums -- one which hasn't found universal favor among fans of Birdman and his earlier solo work. But give the Iceman his due for hewing true to his uncompromising vision and never failing to make challenging, stimulating music.
Since the "Italian Tour" and "Bad Road" EPs and the "Le Bonne Route" album, a key element in the Deniz Tek sound has been one David Weyer, owner/operator of the studio in Laurel, Montana, which bears his name. As engineer and co-producer, Dave is the man who's helped realize Dr. Rock's prescriptions on tape and disc, and he has a fascinating story of his own to tell...
He's been a musician, inventor, a resident of L.A.'s Laurel Canyon during the frenetic '60s, amp technician to a host of guitar greats including Neil Young and Jimi Hendrix. Over a virtual beer or two, we talked about Dave's facinating past and his work with Deniz on projects past, present, and future.
Dave Weyer bellied up at the bar with me from his home in Laurel, Montana, on Sunday afternoon, October 3, 1999.
…disasterpiece – Powerline Sneakers (Kasumuen Records)
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- By The Barman
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There’s a beautiful, sleazy rock and roll feel to “…disasterpiece” that’s refreshingly hard to pin down. From the rumbling and seedy “Dream Feature” to the girl-group-on-steroids swagger of “Don’t Shit Me Now”, and even more Spectoresque glow of “Spectre” (ha!), it’s an avalanche of hard-boiled hard Rock Action.
That Powerline Sneakers rock like motherfuckers should come as no surprise, given the pedigree of the players. Lead guitarist John Nolan was in the Powder Monkeys and Bored!. Sly Faulkner, on vocals and guitar, fronted the Splatterheads, who were well regarded even if I never got into ‘em. Bassist Katie Dixon was in Ripe and Mark Hurst pounded the tubs for The Yes-Men and Gutternsipes.
- Datura4 bring their heavy jams east
- TENZEROEIGHT - The Undermines (self released)
- Turn On With - The Stoneage Hearts (Off the Hip)
- Broken Blues - Evil Twin (Off The Hip)
- See the Descendents and you will believe that biochemists can dance.
- Spurts! Punk & Post-Punk From the 70s & Beyond - Various Artists (Festival)
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