Dion Lunadon - Dion Lunadon (Agitated Records)
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- By The Barman
- Hits: 5267
If you hear a noisier, more brutal yet musical album this year, call your lawyer and sue Mitsubishi for opening a car plant in your backyard.
Dion Lunadon used to be Dion Palmer, bassist for New Zealand-via-The-Lower-East-Side rockers The D4 back in the 1990s. He’s been living in New York City for the last 10 years, playing bass for abrasive noise merchants, A Place To Bury Strangers (APTBS). This eponymous LP is his first solo venture.
There are elements of Kraut rock, hard rock, noise rock, psychedelic rock and almost everything that can be appended to rock on this record. It’s full of ideas to the point of near overload. Apparently written as a cathartic release after rigorous touring with APTBS, it reeks of grime, sweat , post-road angst and not a little desperation.
Two claim the Buttercup booty
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- By The Barman
- Hits: 2628
The winners are in for our Buttercup Records giveaway of an ME 262/Trans 262 LP pack.
Jason Simond of Mascot, NSW, Australia and Stephen Halpern of Cherry Hill, New Jersey, in the USA were drawn electronically at random from entries who correctly named an ME 262/Trans 262 member and one of their future bands.
If you missed out, make sure you grab a copy of the limited run LP before they go. It's reviewed here and available from the label.
Neath A Shin Ei Sun - Neptune Power Federation (Erotic Volcano Records)
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- By The Barman
- Hits: 5469
Goblins shit me. Witches and bats, too. The intrinsic silliness and - now, let's be honest - pomposity in the most excessive heavy metal music bred in me a disdain for much of that musical form from a very young age. So where does a band with a garish album cover with a skull wearing a helmet adorned by stag horns stand?
Good question.
Imagine a woman in gothic chiffon dress and Melbourne Cup headpiece singing in front of a band that’s a cross between a metallic version of Funkadelic, Fu Manchu and Sabbath.
Two Hundred Years - Cub Callaway and The Revolutionnaires (Dominion Records)
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- By The Barman
- Hits: 3982
Want the short version? A collection of veteran, all-star Australian underground luminaries (and one bankable Hollywood star) make a thought-provoking and at times surprising album, packed full of solid songs.
You deserve better than that, and so does "Two Hundred Years". So try this: Playing "Two Hundred Years" is like digging through an attic full of relics and finding things you remember, and things you never found the first time.
Mainman Bruce “Cub” Callaway should require no introduction but a few of you may have been sleeping, so here goes: He’s a former member of The Saints (post-Ed) who toured Australia extensively in the early '80s with The Bard, Bailey, and his merry men.
Drunk and Disorderly: Episode 32
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- By The Barman
- Hits: 6787
The podcasts are coming thick and fast now. Episode 32 of Drunk and Disorderly is live, with music from Donald Trump, The Damned, Flamin ‘ Groovies, Sator, The Hellacopters, The Godfathers, The Volcanics, Dion Lunadon, James McCann and The New Vindictives, Leadfinger, P76, X, The Hip Priests and The Dream Syndicate.
Drunk and Disorderly: Episode 31
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- By The Bar Staff
- Hits: 5683
Everybody's favourite drunken ramblings from mine host is back with a vengeance. Featuring hits and misses from Thee Wylde Oscars, The Bible Bashers, ME 262, The On and Ons, The Murder City Devils and more. This is the podcast for the I-94 Bar where The Barman dispenses Real Rock Action From Sydney, Australia, via The Bowery and The Motor City.
Strange Birds - Giant Moths (self released)
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- By Robert Brokenmouth
- Hits: 4679
A 30-minute EP. Four songs. Melbourne band. Bring ‘em to your town. However…caveat emptor, baby.
The Giant Moths ain’t for everybody. They are, frankly, a little peculiar, and rather endearing. I’ve heard this EP quite a few times since it was thrust into my hands, and I tell you now, not only is it a grower as well as an immediate smacker, you’ll seek out Giant Moths to see them live not just once, but over and over.
I’m sure the band would not be happy if I were to imply that the band is Andrea Scarlett’s baby - and I suspect that the rhythm section described on the back cover, the lynchpin of the outfit, would be at great pains to protest.
Spine 96 - Spine 96 (Off the Hip)
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- By Robert Brokenmouth
- Hits: 3851
What a great cover! I mean, what a fucking great cover! And the inside is really interesting too. Now for the music. 14 songs of it.
I had no idea what to expect other than it’s on Off the Hip, and that apparently there’s a Green Circles connection, they’re from Adelaide, and this was recorded 20 years ago and there will be no reformation, no live gigs. There’s also no bio, no lyric sheet, no other info bar a negative-style image of the band, so … if I get these lyrics wrong, blame the band. Bastards.
So you’d better dig it ‘cos this is all there is.
Yesterday's Town - Suzie Stapleton (self released)
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- By Robert Brokenmouth
- Hits: 5417
"Yesterday’s Town" is huge. You think you know where she’s going, but she doesn’t take you there. The lyrics are like a stripped-back novella. Suzie really nails the slow/uptempo dynamic with her romantic guitar and sweet and smoky (by turns) voice.
Suzie’s been going about her career the right way (photos, film clips bios and downloads
). She's moved from Melbourne to London and is building a profile. Her production on "Yesterday’s Town" is superb, and the song itself begs for mainstream airplay, and I can only assume the majors are scampering with intent toward her right now.- From Barracuda to Unbeing Sage: The art of Jeremy Gluck
- Part Time b/w The Day That Cribb & Munday Got Away - Dave Favours & The Roadside Ashes (Stanley Records)
- Original 7” Tracks /Demos LP - ME 262/Trans 262 (Buttercup Records)
- Sunnies sell-out Sydney again, announce third and final show
- Scientists bring a sackload of magic
- Win an ME 262/Trans 262 LP package
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