Jackdaw - Edward Clayton-Jones (self released)
I've been looking forward to hearing “Jackdaw” for a while, but I must confess I didn't expect it to be this damn good. The last thing I said to Ed was, “Well, look, you know me. If I don't like it or I think it's bad, I'll tell you I can't review it. I'd rather have the friendship.” He understood.
Bad reviews, pfft, they're mostly just juveniles showing off how clever they are, and I've got better things to do with my time. Also, I'm not clever. Years ago, the New Musical Express and Melody Maker used to hire such clever types and, while they could sometimes be amusing, they would often miss brilliance in preference to their own self-swagger (for example, XTC copped endless daft reviews which completely missed how fucking sharp, funny and evocative they were). So to “Jackdaw”.
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- By Robert Brokenmouth
- Hits: 4264
Eternal Life – Guttercats (Take The City/Wishing Well/Sweet Grooves)
If you’re one of those genre freaks with a need to categorise every record, good luck. There’s enough going on here to challenge the most obsessive.
Guttercats are from Paris and take their cues from The Only Ones, Rowland S Howard, the Jacobites, the Bad Seeds and The Gun Club. Their fifth album mixes melodramatic Baroque folk-pop with garage rock, punk and Gothic blues. It’s either hopelessly mired in the ‘80s or bravely staking a claim to a unique place in today’s bland music scene.
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- By The Barman
- Hits: 3842
EP2 Electric Boogaloo – The Owen Guns (Riot Records)
Hardcore never went away. It just sprouted grey hair, developed prostate awareness and, in some extreme cases, took out a mortgage.
The Owen Guns have been flying old school punk’s flag for a year or two, blowing the roof off venues in Sydney and Wollongong. Members are based in both cities. They wear leather jackets, have weathered heads and their faces look like dropped pies. This is coming from someone who's no Paris model, but you get the idea. And in punk’s finest traditions, they could not give a flying fuck what me, you or anyone else thinks of them.
Punk is about economy and the seven songs on this, The Owen Guns’ second CD EP, clock in in at under 10 minutes.
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- By The Barman
- Hits: 3930
Music Lab 2020 - Captain Spud (self released)
As you may gather, “Captain Spud” is a pseudonym.
No way the bishop held up that squalling, red-faced brat, smacked it's ugly arse and plunged it face-first into the font, intoning: “I christen thee Captain Spud”. Kid might've drowned, for starters. Awkward questions might have ensued. Simply hours of paperwork. Remember, pop kids, if you're going to go into the Catholic faith, don't drown the little shits. More trouble than the brief pleasure it might give.
Speaking of starters orders, I find in a cursory search for the great man from Adelaide (he's been a musician and music-maker for over 40 years) references to a blogger (“Captain Spud is Amazing” - I'm sure he is, hem-hem), several YouTube channels (including a chap who paints little dolls, and a chap blowing stuff up on a vidgame), a pseudonym for a gamer (still not the great man) and would you believe - a racehorse (“a three-year-old gelding by Toronado out of the Street Sense mare, Dane Sense”) once owned by Danny Frawley (a kicker of balls, apparently).
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- By Robert Brokenmouth
- Hits: 2645
The Devil's Weight - Eric Mingus (Ouch! Records)
I first saw Eric Mingus on stage at Her Majesty's Theatre in Adelaide a few years ago, masterminding (with producer Hal Willner) a production of The Who's 'Tommy' ... which I confess I didn't expect to work. But, not only did it work, it took my breath away.
If you don't feel like reading the full review, on the night I described Eric on the night as an "offhand, casual narrator with a fabulous, rich voice with a gobsmacking range who sets us up for a mischievous, powerful story, more human because it’s all happening right in front of us. What for some was a rather stilted and peculiar concept LP has become an alive, twisting, emotional creature; the story is instantly in us. His later (all too brief) scat singing is incredible, just amazing".
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- By Robert Brokenmouth
- Hits: 2935
Defiled! A Heavy Medication Tribute to New Bomb Turks - Various Artists (Heavy Medication)
Can’t profess over familiarity with the back catalogue of New Bomb Turks. Nothing personal, mind you, it’s just that when they were at their busiest back in the ‘90s, there was so much else around. Their potency can’t be disputed.
These Ohio high-energy punks churned out nine (yes, nine!) studio albums until life got in the way and ushered them into semi-retirement, and this tribute record from Polish label Heavy Medication testifies to their take-no-prisoners reputation.
Rember when tribute albums were all the rage, back before the Interwebs became fully embedded in our heads via vaccine-encased 5G chips? They grouped bands of a common mindset and showcased sounds you might not have otherwise heard. Like Spotify without ridiculously microscopic royalties.
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- By The Barman
- Hits: 4426
The Plague Year – The Vomit of the Universe (self-issued)
Headbangers of the world alert!
The Vomit of the Universe songs are: "The Plague Year", "Magna Hominum Dercependo", "Shiva Laughs and Smiles" and "Igne Natura Renovatur Integra". The 'A' listed here as playing guitar, bass guitar, drums & synthesizer is our old Adelaided chum Adam Blake, sometime sack-flasher at Hydrocephallus.
Vomit of the Universe, however, is an entirely alternate vehicle, a more directed mindset. Elements of grandiosity which make metal so appealing are used to maximum effect (without over-egging the omelette, as so very many bands do). Yet the approach, and rhythm, reminds me of some Krautrock, as well as opera, and quite a few classical pieces (Shostakovich springs to mind).
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- By Robert Brokenmouth
- Hits: 2570
Mutator - Alan Vega (Sacred Bones Records)
"Mutator" is Alan Vega's 12th solo album and also his first posthumous record of (apparently) several more to come on Sacred Bones Records. Vega also released nine collaborative LPs in his lifetime, Suicide a total of five studio and five stand-alone live albums (not including a rather incredible box set). Not a bad innings at all.
The I-94 Bar’s Bob Short once observed that most people don't get into much music past their 20s, and I agree; and Suicide are a classic example. Of the people who fell head over heels for this outfit when they first heard their first LP (I still remember where and when I heard it, and also when and where I heard a UK bootleg of the Clash support gigs) most seem to rave only about that first LP, but seem unaware of the second, or even the ROIR tape, or any of the band's later LPs.
Of Vega himself, only a handful seem aware of the extraordinary impact his first two (now unavailable) LPs had on the underground, and the overground impact his third, "Saturn Strip" had, particularly in Europe.
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- By Robert Brokenmouth
- Hits: 3356
New Trip – The Primevals (Triple Wide)
Four decades and 11 albums into this caper, Glasgow’s Primevals are doing the rough and ready rock and roll thing as well as anyone, and better than most.
Well into their second life after reformation, their consistency is astounding. “New Trip” was spawned in lockdown, recorded over two fraught months in late 2020 and hit the online racks, via the band's own imprint, early this year.
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- By The Barman
- Hits: 3403
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