Hard-Ons hit the silver screen to mark their 40th anniversary
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- By The Barman
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Hard-Ons are celebrating 40 years of punk rocking in public with tours of both Australia and Europe, and the release of new music - and the release of that stalled full-length feature film, The Most Australian Band Ever”.
The single "Buzz Buzz Buzz"is out today on Cheersquad Records & Tapes and is the first taste of the current Hard-Ons line-up's yet-to-be announced third album. It's a Tim Rogers/Peter Black co-write and a promise of great things to come.
“The Most Australian Band Ever” is directed by Jonathan J. Sequeira for production companies Living Eyes and Play Vintage. Sequeira made the acclaimed 2017 Radio Birdman documentary, ”Descent Into The Maelstrom”.
The film will premiere on October 16 at SXSW in Sydney with a screening and Q&A at the Dendy Newtown. Here's a taste:
Perfectly timed with the band’s anniversary, “The Most Australian Band Ever” offers insight into the band's long existence, with plenty of live footage and interviews and guest appearances from Dave Faulkner (The Victims, Hoodoo Gurus), Ross Knight (Cosmic Psychos), Jerry A (Poison Idea), Steven Hanford aka Thee Slayer Hippy (Poison Idea) and Rob Younger (Radio Birdman).
The film has a particular focus on the Hard-Ons' early days, the obstacles - some self-inflicted - which they've had to overcome, and the legacy they've built.
The Hard-Ons' 40th Anniversary Australian Tour Oct - Nov 2024
OCT
18 - Soapbox, Brisbane
24 - Sussex Inlet Tavern, Sussex Inlet
25 - La La La’s, Wollongong
26 - Paddo RSL, Sydney
27 - Hamilton Station Hotel, Newcastle
31 - Altar, Hobart
NOV
1 - The Tote, Melbourne
2 - Singing Bird Studios, Frankston
3 - Red Hill Hotel, Castlemaine
4 - Barwon Club, Geelong
7 - Amplifier, Perth
8 - Indian Ocean Hotel, Scarborough
9 - Froth & Fury, Adelaide
Tickets
The Strike-Outs' home run
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The Strike-Outs – The Strike-Outs (Evil Tone Records)
The debut LP by Sydney duo The Strike-Outs is the duck’s nuts, the bees’ knees and all the other animal physiology that lies between. Twelve songs in 24 minutes, so brevity is at its core. But so are dynamics. a feral energy and a musicality that divorces it from standard two-chord thrash punk.
The Strike-Outs-are brothers Simon Vines on guitar and vocals and Adam Vines on drums. They used to be Thee Evil Twin until they shed a bassist. No bottom end? No problem. Simon’s tone and a kick drum high in the mix compensate just fine.
Appeal launched for James Baker
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Australian music industry charity, Support Act, has launched an appeal on behalf of iconic Perth-based punk/garage-rock figure and drummer James Baker, founding member of legendary outfits The Victims, The Scientists, The Hoodoo Gurus, The Beasts of Bourbon and The Dubrovniks.
James was diagnosed with terminal liver cancer nine years ago and now requires constant care, which means his partner Cathy has to give up full-time work to support him. James and Cathy have been working with a specialist medical team to keep James around for as long as possible. A target of $50,000 has been set to assist with medical and household expenses associated with James' palliative care.
You can donate here.
Messin' With The Drummer: A pot of tea with Ivor Hay
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- By Robert Brokenmouth
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Take a look at the photo. There they are. The original Saints, outside their Brisbane share house, Club 76. Now a posh real estate agent's rather scrappy-looking digs, the house still stands.
Queensland does have a heritage register: the Saints' Petrie Terrace share house should surely be on the list, but it's not. Queenslanders, make it happen!
It's mid-winter in Adelaide, and I'm reflecting on the passage of time. As I get off the bus, I pass the new and improved Her Majesty's Theatre on the corner of Pitt Street and Grote, adjacent to the shop I worked in for a year nearly 30 years ago. A few doors up Grote, toward Victoria Square, was the one building I worked in periodically over 22 years, The Antique Market, run by Dean Donovan and his wife, Kathy.
Quite an awkwardly-designed building, after Dean sold all the stock in 2018, it was sold, remodelled and occupied for a few years, then finally emptied and demolished; today a huge hotel or somesuch is heading upwards with a great deal of clamour, gusto and grunt.
A small part of Adelaide's underground music mosaic
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- By Robert Brokenmouth
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The Beautiful Black – The Beautiful Black (self released)
Before we start, perhaps I should explain. This article is not just a review, but a homage to Ross and Caz. As the Barman politely explains to me, “Uh, Robert. ...Who ...? Context?”
Right, then, context.
First, like so many other large Australian cities, Adelaide has had a strong and diverse music scene for decades. There was a distinct hand-over of the baton, too. You could see it in the composition of the audience which rolled out to see XTC on their first tour compared to their second the following year: the first tour, it was mostly older folks (I was 15, so everyone was older than me, but I'm talking 30+ here).
Not just a tribute, "Retaliate First" lays it bare
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Retaliate First: How one band smashed the rules of Australian rock and roll
By Murray Engleheart
(Allen and Unwin)
What becomes a legend most
When the musicians have come and then leave her
What becomes a legend most
Besides being a legendary star
What Becomes A Legend Most” - Lou Reed (1984)
It’s finally here and it’s great. For the first time, the Radio Birdman story has been thoroughly told from start to dotage (if not the end) in print, and with a sense of perspective that puts contestable versions of the story in plain view.
For the first time? What about Vivien Johnston’s 1990 “Radio Birdman”? For many years it was the best (only) reference point. As invaluable as it was, it was ultimately a biography shoehorned into a university thesis, and the tenuous link it tried to make between the band and Australian indigenous culture was odd.
And there's “Radio Birdman: The Illustrated History” from George Munoz, an amazing visual record of the first life of the band but doesn’t try to be commentary.
Murray Engleheart’s “Retaliate First” is an effort to re-tell the story as it should be told and it’s an invaluable companion to Jonathan Sequeira’s brutally honest “Descent Into The Maelstrom” documentary.
The rise (and The Fall) of cover bands
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When is a cover band not a cover band?
“Doing The Fall songs can often feel a bit like driving a juggernaut with no brakes, or falling down some stairs, pissed...” according to Ben Toft - one of the singers in The Fall tribute band, The Look Back Bores.
So, no. It's not as easy as you think.
The Animals(and Friends) have just finished an encore tour of Australia with 83-year-old John Steel behind the kit and a well-seasoned group of younger English musicians, all steeped in r'n'b, boogie and so on. The band provides high quality entertainment, doing justice to a time and place that the participants can only remember but hazily.
Sydney's heading to Pismo Beach on Saturday while The Fadeaways cruise to a sell-out in Melbourne
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It will be 40 years to the day since their debut on Australian shores at the Vulcan Hotel in inner-city Ultimo, the now defunct pub in which they crash-landed after being exiled from Southern California's Piso Beach Wrestling Federation for bad behaviour. They'll play a room that's a stone's throw from their spiritual home, The Pismo Bar, in the nearby Petersham Inn.
There's somnething of an after party the following day at MoshPit in St Peters where The Fadeaways play the final Australian show of their short two-state tour, supported by Jupiter 5 and one-man band Dirtbag. Tickets for that one will be on sale on the door from 2pm.
The Saints (dead and alive) keep marching in
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Latter Day Saints: Chris Bailey (right) with drummer Peter Wilkinson and bassist Caspar Wijnberg, in Amsterdam in 2006. Elisabet Corlin photo.
Here's some more news on long-rumoured posthumous recordings from late Saints singer Chris Bailey.
In an Instagram post today, Church Street Studios engineer Sean Carey flagged that the recent digital single, “Break Away”, comes from a forthcoming album, “Long March Through the Jazz Age", It is the first release of new material since Bailey's passing in 2022.
Recorded by Sean Carey in Church Street Studios, Sydney, Bailey is on vocals, guitar and bass and is aided by long term drummer, Pete Wilkinson and guest Davey Lane (You Am I) on guitar.
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