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lax

  • california dreamingNil to do with the Mamas and the Papas song, this is from the fab Fast Cars album “LAX” and it’s a lush, string-tinged brooder that’s a great calling card for the psychedelic long-player. 

    Remember albums? They were those things where a band put more than one idea into extended pieces of music (aka songs) that became a sum of a greater part. Fast Cars - once a Sydney mod band but these days vocalist Di Levi and multi-instrumentalist Fabian Byrne - sure do, and evoke more in these few minutes than a lifetime of downloads by Taylor Swift clones. 

    “California Dreaming” is part of a concept about ambition and star-making in a strange environment and place but you don’t need the back-story to appreciate the 45. 

    The flip is a brave take on the Russell Morris song of the same name. No marching jackboots but a heady sonic picture nonetheless. You’d hope Molly would appreciate it because it works all the same.  It’s mastered a little quietly but you can compensate by playing it loud. Available as a 45 from here. 

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  • LAXWhere they’ve come from is academic; it’s where Fast Cars are now that counts. The onetime ‘80s Sydney mod-power-pop band has been a creative duo since reforming in 2015, working on opposite sides of the globe. “LAX” suggests distance only makes the creative muse all that much stronger. 

    “LAX” is what people used to call a “concept album” - back when single song downloads weren’t the staple currency of the musical economy. I know what you’re thinking: Concept equals Pretentious. Wrong. “LAX” stays well away from that precipice. It’s 12 songs of classy psych pop, alternately dreamy and lush, occasionally funky or wrapped in strings, and framed loosely on the theme of seeking your dreams in a big city. 

    “LAX” is also a Dropbox record. Dropbox is the cloud app that’s become stock-in-trade for projects like this. With vocalist-guitarist Di Levi based in Bristol, UK, and guitarist-songwriter Fabian Byrne living in Sydney, Australia, the swapping of ideas, sketches, recorded parts and, ultimately, fleshed-out songs, had to occur online.