Sold out shows as 5.6.7.8's swoop in with Best Of album
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- By The Barman
- Hits: 125
Tokyo's rockin' all-girl retro riot The 5.6.7.8's have released a new 'Best of' LP on local label Cheersquad for their Australian tour starting this week, with Sydney and two Melbourne shows already solfd out.
The house fuill sign went uop on Sydney's Thursday show (with Psychotic Turnbuckles and Cheetah Beat) and it's the same story with Melbourne shows at The Tote (March 25) and The Last Chance (March 26). Gigs in Brisbane, Beechworth and Hobart are selling fast.
Rudd and Gaze classic pairing hits the road for select dates
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- By The Barman
- Hits: 405
It’s a pairing for the ages: Master guitarist Tim Gaze (Tamam Shud, Khavas Jute) and Mike Rudd (Ariel, Spectrum) are doing a special run of shows in south-east Queensland and northern New South Wales in May.
Rudd is best known for his work with Spectrum and that undeniably classic Australian song “I'll Be Gone”. He went on to front another metamorphosis of Spectrum in Indelible Murtceps and also Ariel, who found chart success with “Jamaican Farewell”.
These days, Mike plays as a duo with George Butrumlis and tackles songs that, for one reason or another, don't get played in the group setting. Outrageous songs like “Excuse Me Just One Moment” from Murtceps' “Warts Up your Nose” album and “Confessions of a Psychopathic Cowpoke” from Ariel's “A Strange Fantastic Dream” album, a song that was famously banned from airplay.
Opening the evening will be Tim Gaze who will take audiences on a trip re-visiting moments of his journey where he has regularly been referred to as one of Australia’s finest and inspiring guitarists.
These shows are proudly presented by SoundPressing.
Mike Rudd + Tim Gaze
MAY
2 - The Citadel, Murwillumbah, NSW
Tickets
3 - The Junk Bar, Brisbane, QLD
Tickets
4 - Banshees Bar, Ipswich, QLD
Tickets
Groundhog Day as The OSees lay waste to Sydney
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- By Edwin Garland
- Hits: 1657
Bryan Grenberg photo.
The OSees
+ G2G
+ Exit Mould
The Metro Theatre, Sydney
February 28, 2025
During the 1990s, The Metro was THE venue in Sydney. I could list the life-changing gigs that I went to and it was chocka block full of top shelf bills every weekend. More than a thousand punters crammed in and with great sound. And great sight-lines. Tonight, I am back again to see if the sold-out OSees can top their intense performance of almost two years ago.
In the '90s, playing a gig at The Metro was something to aspire to. Even I played gigs there back in the day, as an opening act. Damn, they treated you well, with a fridge full of beer and a dressing room…complete with a photocopied A4 piece of paper with your band’s name on the door. It was welcoming.
It is still a top shelf room in a prime location. While the suburbs outside the city are abuzz with Friday night teens, roaming gangs and dance music kitsch and glitter, The Metro is mostly (sadly) like the last oasis of rock ‘n’ roll in the Sydney CBD.
Detroit's The Strains kick major butt on new single
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- By The Barman
- Hits: 745
“Running the Lines” b/w “Checkin’ Out” – The Strains (I-94 Recordings)
It sounds cliched in these transnational times, but you can still get a sense of where a band lives from the sound of their records. The Strains are undeniably denizens of the Motor City, with that gritty and uncompromising, blue collar guitar sound that’s rooted in the blues and late ‘60s heavy rock.
A side “Running Time” rides a wave of searing guitars, courtesy of Gretta Smak and Jamy Halliday, a tearaway tempo and the take-no-prisoners vocal of Paul Grace Smith (ex-Dumbell). It skids to a halt all too soon, running a touch over a coupla minutes. So play it again, Sam! Flip it and you’ll hear a spiffing cover of The Torpedos’ “Checkin’ Out” from 1979 (RIP Johnny Angelos) with a rolled gold minor chord melody that sticks like dogshit on your sneaker.
When you read a one-sheet describing The Strains as "a Detroit version of the Patridge Family", c’mon, you can’t help but get happy, because a semblance of irony still exists in a very confused Amerika. It's not on our own I-94 Bar label but the much more active I-94 Recordings imprint from Detroit. Get it here. The Strains are currently touring the Midwest with Handsome Dick Manitoba and be warned their full-length self-titled album that you’ll find here is a killer.
Cyclone postpones sold-out Ups and Downs Sydney show
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- By The Barman
- Hits: 1326
Ups and Downs: Staying home for now.
Tropical Cyclone Alfred is bearing down on the Australian coast and is already wreacking havoc on this weekend’s gigs in South-East Queensland. Today, it took down one in Sydney.
The sold-out Ups and Downs show with a reformed Crystal Set at Marrickville Bowling Club has been postponed as most members of the headliners are unable to leave Queensland for reasons that are too obvious. The band posted on Facebook:
Friends, it is with great regret that we have decided to postpone this Saturday's sold-out show at the Marrickville Bowling Club with the Crystal Set. Those of us who live in and around Brisbane need to stay close to home with family and friends as Cyclone Alfred approaches. The new date for the show is Thursday 10 April - all tickets remain valid, with refunds available if you cannot attend. Our huge apologies for all inconvenience this has caused!
Crystal Set’s shows at Smiths Alternative in Canberra on Friday and The Chippo in Sydney’s Chippendale from 5pm on Sunday are going ahead.
First Australia, now The Saints '73-78 take on the world
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- By The Barman
- Hits: 935
The Saints ’73-’78 are celebrating 50 years since their first-ever shows this November with a month-long international tour, taking in New Zealand, USA, Canada, the UK, Sweden and Germany.
The Saints ’73-78 are surviving members from the original Saints, Ed Kuepper (guitar) and Ivor Hay (drums), joined by Mick Harvey (The Birthday Party, Bad Seeds) on guitar, Peter Oxley (Sunnyboys) on bass and Mark Arm (Mudhoney) on vocals. They will be augmented by a three-piece brass section and the band is fresh from a sold-out Australian tour.
UK tickets are available via Alltickets and dates are after the fold. NZ, Europe , Candian and US tickets are at feelpresents.com
Sonny and stars shine brightly on "Parallax in Wonderland re-boot
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- By The Barman
- Hits: 1043
Parallax In Wonderland – Sonny Vincent (Dead Beat Records)
Tracking the career of New York City punk original Sonny Vincent is a tall order. The man is nothing if not prolific and he’s has had more labels than a printshop out the back of a bootleg distillery.
This album was first unleashed in 1998 (on vinyl only as “Hard In Detroit”) and the latest iteration, on CD and LP on Cleveland label Dead Beat, has been re-mastered and is a marked sonic improvement.
First, an aside: The original wasn’t my entry point into the raw music of Sonny Vincent, but it's where the relationship really took off. You can draw a line through earlier bands like Testors and Shotgun Rationale, but “Parallax” coalesced everything that makes Sonny’s music great: frenzied punk energy, guitars and melody, laced with passion and verve.
Tassie trip for guitar great Charlie Owen and his stories
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- By The Barman
- Hits: 789
Fresh from blistering Melbourne and Sydney shows with The Beasts last weekend, guitarist Charlie Owen is taking his “Searching For Charlie Owen” spoken word and music show across the Bass Strait to Tasmania, teaming with local comedian Anthony Morgan.
The Charlie Owen band history includes Beasts of Bourbon, the New Christs, Tex, Don & Charlie, Tendrils and Working Class Ringos, and he’s collaborated with Paul Kelly, Chrissie Amphlett and Louis Tillett.
"Searching for Charlie Owen” is a much more intimate affair than the recent Beasts gigs. It's a heartfelt trip through Charlie’s back pages full of warmth and reflection, and has sold out venues in Victoria, Queensland, New South Wales and the Australian Capital Territory.
The shows are supported by Sound Pressing Records and I-94 Bar.
Charlie Owen
Tasmanian Tour
with Anthony Morgan
FEB
27 - Cygnet Bowls & Community Club, Cygnet
Tickets
28 - The Grand Poobah, Hobart
Tickets
MAR
2 Mar - Valentino Safe Co, Lilydale
(2pm)
Tickets
Hoax returns from the grave, three decades later
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- By The Barman
- Hits: 886
Hoax – Hoax (Driving South)
Hindsight is a fine thing and it’s clear that the combined impact of grunge, corporate clumsiness and the commodification of music through disgitisation did many bands a disservice in the 1990s. Hoax was probably one of them.
Hoax was a staple of the live circuit in Newcastle, Australia, in the late 1980s and early ‘90s, opening for a slew of touring bands while building a local fanbase. Hoax took their lead from punk rock (whatever that is) and suffered constant line-up changes. They came and went, with the core of Geoff Mullard (vocals and guitar) and Anthony Dean (drums and vocals) going on to many other bands.
- Iggy live again and he's no Passenger
- "Jangleland" foreshadows new folk-pop album for Dom Mariani
- Twenty years on, Dead Moon lives again on Aussie silver screens
- First one to quit the Marrickville moshpit is a lawn bowler
- Ups and Downs mark anniversary tour with vinyl variant
- Jet setting with Seiji from Guitar Wolf
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