The Dog Beneath the Skin. Rare and Unreleased - Christopher Marshall (digital release)

Chris Marshall's “The Dog Beneath the Skin” collection serves as a welcome reminder that the blues is a broad tapestry indeed. I repeat what I said above, my record collection does not have much modern blues. I do have some Harem Scarem, however, because they crash along a rough road twining hellish skronk and sweet blues.

There's a killer version of “Figurehead” here, and a fine version of “Dogman” (featuring the late Chris Wilson on harmonica); there's also unreleased performances of “Hard Rain” and “My Town” - the latter a band staple that was co-written with brother Charlie, but never otherwise recorded, with Christopher on lead vocals.

Like his fellow bandmate, the late Chris Wilson, Marshall's voice is quite extraordinary, and you can pretty much pick your own favourite blues-esque vocalist to compare him to.

Two Hundred and Ten - Danny Handley (digital release)

"My demon's always been a chancer/ Get up and don't get caught"

Danny Handley is the guitarist and compelling singer in The Animals and Friends. They're on tour around Australia at the moment. If you get even a quarter of a chance, go see them. They're great fun, and right now, what with half the country either still burning or about to burn, I'd say that (aside from grieving) the one thing which will lift your spirits is music, and The Animals & Chums do that.

Danny Handley is a huge frontman. He's been gifted with an immaculate, easy-to-conjure voice, a relaxed and engaging personality, the confiding air of the practised showman. Oh, the bastard has one of those effortless talents on the guitar, too. Not that I'm jealous (oh, no).

His style is a bit more modern than the original Animals, with distinct shades of sweet blues - and I should explain that I usually detest this style. In person, in Danny Handley's hands, these blues are absolutely beautiful.

A Comedy of Horrors - Burn in Hell (Beast Becords)

“It’s rock and roll, Jim, but not as we know it.”

That might make sense if you’re a Trekkie, but of course you’re not. 

You are?

Leave now.

(ED: Sorry. Robert Brokenmouth has hacked this review. Normal transmission will be resumed, momentarily.) 

Burn in Hell is from Melbourne and is as rock and roll as AC/DC. Makes sense. The band comes from the home of AC/DC Lane, for fucksakes. They just play their songs as readily in waltz time as in 4/4. “A Comedy of Horrors” is their fourth album in close to 10 years and it’s off-the-wall, curious, warped, challenging and thoroughly enjoyable. It's an album for people who hate the mundane. 

Old Habits Die Hard - Junkyard (Acetate Records)

It ain't no easy gig being a rock 'n' roll singer.

I'm re-reading that old hardback Steven Tyler book I bought second hand at a thrift store for two dollars, 10 years ago, for entertainment purposes right now. When I'm not busy doing stuff, because I'm at that time of year where every stray dime must go towards providing the impossible Santa haul for kids brought up in a capitalist culture of insane competition and peer pressure and mandatory conforming to the never ending juggernaut of acquisition and updating and unboxing and having the latest special edition gizmo and gadget and sports celebrity running shoe.

Dromana-Rama - Little Murders (Off the Hip)

Hello I-94 Bar Readers , well with all the bushfires and a shit Government ain't it good that there is music to take your mind this horrific summer. Folks, here is a worthy distraction

“Dromana Rama” is a pure pop sounding album with a nod to those old English mod bands. Little Murders were formed in 1979 by Rob Griffiths have a rich history in old Victoria as those who have followed the local music landscape can tell you.

Equation of Life - Urban Guerrillas (MGM)

Ever been in a position where you didn't know what to expect when a disc landed in the CD player? That’s often a good thing. My preconceptions of Sydney’s Urban Guerrillas as inner-city, squat-dwelling, agitprop punk preachers are somewhat passe, and almost abandoned after a couple of spins.

The UG sound is more folk-pop than punk rock these days, and the concerns of the seven tracks on the “Equation of Life” EP are mostly universal. Not that the band was ever stuck in one sound. There’s a splash of Celtic pipes in “Divine Image” (a William Blake poem set to music) and “What I Wish For” sets out a societal manifesto with a stab of mandolin in its mix.There’s also enough chugging guitar and urban angst in “Claustrophobia” to light up a street-full of terrace houses in Erskineville.