Cramped – 50LgE (self released)
This six-song EP from the New South Wales Far North Coast trio 50LgE (“50 Large”) with lineage derived from The Eastern Dark and the Psychotic Turnbuckles is as stylistically diverse as they come, swinging from swampy rock to garage rockers. 

“Cramped” is an unabashed lift from the early Cramps, not weird enough to rouse Bryan Gregory from his grave but obvious enough to send the message that 50LgE are big fans.  “White God” chalks up one for the atheists without getting out of second gear. 

Mess You Up – JJ and The Real Jerks (Heavy Medication Records)

The lines are so blurred these days that you can’t guess where most bands applying a defibrillator to rock and roll’s ailing heart come from. So-called scenes are fragmented and the means of production rest in many sets of hands, thanks to technology and the information democracy of the Internet.

Wind back the clock a couple of decades and JJ and The Real Jerks could be from snowed-in Sweden or inner-city Sydney rather than sprawling Los Angeles.

This 12-inch, eight-song EP is razor sharp, fun garage rock and roll in the style of The Hives crossed with Dead Boys. Big twin guitars and occasional sax punctuate the songs, which throw up plenty of hooks.  

Supersoncic Stargazer – Trip Pilots (self released)

No shock to discover Hawkwind is a cited influence for this UK trio. The EP’s title and band name are obvious clues. The revelation is that the CD’s four songs are a solid addition to the psych-stoner rock genre.

Swirling feedback and electronic chirping, some talking and a repetitive rhythm bed build an ethereal platform on opening track “Supersonic Stargazer” from which guitarist-vocalist Johnny Sharp solemnly intones. Spiralling guitar lines abound.

Harry Howard Presents: Slight Pavilions – Harry Howard (Cranes Records)

If you'd made this LP, you'd be bloody proud. It's a triumph, as far as I'm concerned. 

How to get your attention?

Ah.

Remember those “Nuggets” compilations when they first came out, tipping what we knew of the 1960s upside our heads? How so many of those tracks had such a unique joy of life, such a moving intimacy?

“Slight Pavilions” sounds nothing like those “forgotten” independent records of the 1960s, but it certainly does have that joy of life, a profound intimacy, and more than a touch of the backyard rebel. It also echoes that strange late 1970s and early '80s period when so much experimentation was taking place... Technologically, the difference between then and now is profound and borderline unbelievable.

Wayward Serenades - Long Hours (Spooky Records)

The cover features a topless Julian Medor on his back on what looks like a garage floor covered in oil, eating his necklace, mic in hand and eyes shut. Shades of Darby Crash, and Iggy Pop.

Which are pretty good introductory comparisons, though Long Hours don't sound much like Iggy (well, alright, maybe “A Ghost To You”), but perhaps a bit like The Germs. But that's where comparisons pretty much end. 

Out of Time – Sonic’s Rendezvous Band (Easy Action)

Some bands defy objective assessment and Sonic’s Rendezvous Band is one of them. So let’s not even try to pretend.

How can you be objective about a band that issued just one single in its lifetime when it happens to be “City Slang”, inarguably the greatest rock and roll seven-inch of all time? Can you really question the worth of a band whose lineage is former MC5, Rationals, Stooges and The Up members?

Yes, you could. But that’s just you.