died pretty

Died Pretty Live – Died Pretty (Citadel)

Live albums were things a band pulled out of its collective arse when members were short on ideas and had “contractual obligations” to a label. These days, they’re a  quaint anachronism in a market that treats digital singles as a currency.

The only contractual obligation Died Pretty has these days is keeping their record label boss and manager, John Needham,in the lifestyle to which he is accustomed (that's a joke, John), so a live recording of a February 2008 performance of the cross-over album “Doughboy Hollow” at Melbourne’s Forum Theatre is probably of interest only to diehard fans.

Guilty as charged but thousands of others will take the same plea.

Flashback: I remember the first time I heard REM. Paul had just bought their first LP and we sat in his little bedroom, listening with something akin to amazement.

Now, I mention REM’s first LP because it was one of those exclamation mark moments, similar to “Measuring the Space” by inner-western Sydney band The Hadron Colliders.

My response to hearing this was immediate and positive, and I’ve now spun “Measuring the Space”…over and over.

“Someday soon, will you tell us when it’s time to play for you?” asks iconoclastic Australian music legend Ron S. Peno, towards the nd of “See You When I’m Looking At You”, the nearly nine-minute long "chain" song from Mick Thomas’ Roving Commission and friendsand released this week. 

It’s a question that many artists hope will soon be answered, and one of many telling moments in an epic song, sung and worded by a cross-generational selection of some of Australia’s finest singer-songwriters in COVID-19 isolation.

Conceived by Thomas – the ARIA-winning singer-songwriter of Weddings Parties Anything – in April, “See You When I’m Looking At You” began life when Mick wrote a verse and a chorus while isolating in his Melbourne backyard.

The bad and unavoidable news is that Died Pretty has joined the ever growing list of bands impacted by Coronavirus. The good news is that the band has re-scheduled all but one of the four shows for later in the year. The Perth gig unfortunately cannot be re-booked due to member availability, so has been cancelled.

Five years since they played their last full set to a roomful of adoring fans in Sydney, Rock and Roll Wrestling World Champions the Psychotic Turnbuckles are back to destroy Dull City. The Turnbuckles will play Fusebox at the Factory Theatre in Sydney on Saturday, April 17.

Tickets will be strictly limited and go on sale here at 9am on Wednesday. Supports are White Knuckle Fever and southern Sydney punk rock jukebox The Stallers. The show has been timed so punters from the earliest of two Died Pretty shows in the adjoining Factory Theatre can attend. 

Living in idle luxury in their hometown of Pismo Beach since their last Australian gig with San Francisco legends The Mummies in March 2016, the Kings of the Ring are itching to smackdown all comers. Guitarist El Siccodelico has hung up his Mexican wrestling mask during the lay-off and has been replaced by Italian grappling royalty, Count Forza.

The Turnbuckles will be fast-tracked through Australian Government quarantine protocols to play this one-off show and there’s no telling if and when they’ll re-appear again.

White Knuckle Fever is the runaway psychobilly duo that’s been tearing up Aussie stages off the back of a new single, “RSA Blues”. The Stallers are a veritable garage punk jukebox and will kick off the night with a set chockful of smash ‘em up classics.

The show is presented by I-94 Bar.

Iconic underground products of the Sydney music scene, Radio Birdman and Died Pretty, are undertaking a double-header tour of Australia.

Although they formed 11 years apart, Birdman and Died Pretty had their roots in the same Darlinghurst breeding ground. Died Pretty's Ron Peno was a patron at the Oxford Funhouse and a member of Birdman support act The Hellcats. Birdman's Rob Younger has been a production hand at critical points of their recording career.

Muscially, they veered in disparate directions. Spirit-wise, the bands shared a common sense of independence and going their own way. Both bands will be alternating headline positions.

Lachlan Valley Dirt  – Joeys Coop (Citadel)

Following John Ventura’s pre-release review of the album that appears below is almost redundant, but let’s have a shot now that the record has undergone repeated listening.

It would be lazy to say that if you grew up with the underground sounds of Australia in the 1980s then you need “Lachlan Valley Dirt”. Of course you do -  but the appeal deserves to be much broader.

This is a world-class “grown up rock” record – and that label is both a term of endearment and a reflection on the absolute dross that passes for most popular music these days.

It’s tempting to do as the marketing does and label Joeys Coop’s “Service Station Flowers” as an outlet for Died Pretty guitarist Brett Myers. His distinctive sound is all over this album, like sunscreen and a rash-shirt on a redhead in summer, but this really is a record that’s more than just a billboard with all-star billing for one.

Singer Mark Roxburgh conceived Joeys Coop a couple of years ago, after the implosion of the reformed Decline of the Reptiles, and his vision was simple: He wanted to play with people whose work he’d long admired and to find an outlet for his own songs (something that Decline clearly was not.)

Alternative title: "He Gets by With Some Help From His Friends".

Producer-guitarist Bruce "Cub" Callaway assembled a stellar cast for this, his 2013 return to recording after a lay-off, and it shows.

John Hoey (Died Pretty), Warwick Gilbert (Radio Birdman), Paul Larsen (Celibate Rifles), Clyde Bramley (Hoodoo Gurus) and Julie Mostyn Gilbert (Flaming Hands) all played roles. Lesser-knowns Ian Johnson, Louis Callaway and Harry Rothenfluh also contributed drums.

_{Check out the magnetism: Paul Berwick, Jiom Diockson, Matt Galvin and Nick Kennedy.} 

You could say they’re about to “step into the light” because that’s the name of the debut single for Sydney band Paul Berwick’s Magnetic Quartet. Bandleader Paul Berwick was the guitarist, singer and songwriter for Sydney’s late 1980s favourites Happy Hate Me Nots and has teamed with old friends Matt Galvin (guitar), Jim Dickson (bass) and Nick Kennedy (drums) to produce new original songs.

The individual band members have a wealth of experience (Happy Hate Me Nots, Radio Birdman, New Christs, Knievel, Big Heavy Stuff, Died Pretty, The Orange Humble Bandand Settlement)but have played only a couple of shows together as Paul Berwick’s Magnetic Quartet. They’re a class outfit as evidenced by their I-94 Bar promoted support to Leadfinger earlier this year.  

They’ll launch the single with good mates Joeys Coop (featuring Died Pretty guitarist Brett Myers) at Sydney’s MoshPit Bar on Friday, November 12. Limited numbers of in-person tickets (and unlimited streaming passes) are selling here. (We’ll post a link to the single on Bandcamp after the gig.)

Sydney’s music community is rallying to get behind much-loved rocker Spencer P Jones in an hour of need.

Spencer is battling serious illness and fund-raisers have been popping up all over Australia. Sydney is responding with its own show, The Axeman’s Benefit, on Friday, June 24 at The Factory Theatre in Marrickville.

Died Pretty is headlining a heavyweight bill which will include Spencer’s old band The Johnnys (with guest vocalists), the Hoodoo Gurus (playing a mini-set), home-grown garage up-starts Straight Arrows and psych-punk veterans Young Docteurs.  The Johnnys will close the night.

The killer line-up will be augmented by a bevy of guest musicians including Jim Moginie (Midnight Oil), Simon Day (Ratcat), Jack Ladder, Murray Cook, MC Anthony Morgan, Jason Walker, Peter Fenton (Crow) and Kane Dyson (Spurs For Jesus.) FBi’s Jack Shit will be lending his DJ talents.

All of the acts have played alongside or recorded with Spencer in some capacity.  Died Pretty is fresh from a summer of sold-out A Day On The Green and club shows and is re-convening especially for Spencer.

Although his career has been mainly under the mainstream music radar, Spencer P Jones has been a tremendously influential figure in Australia.

Arriving in Australia from New Zealand in 1976, Spencer came to prominence with hard-drinking cowpunks the Johnnys and then inner-Sydney swamp supergroup the Beasts of Bourbon, he’s also played with the Gun Club, Renee Geyer, Chris Bailey, Rowland S Howard, Nick Cave and Paul Kelly.

In recent years he’s been recording and playing with his own solo bands as well as members of The Scientists and The Drones.

Tickets for The Axeman’s Benefit went on sale last  night and are here. A substantial number have gone already so don't delay.

Copies of these four songs have been circulating for years and two have surfaced on compilations. The balance were re-recorded by members’ subsequent bands. But don’t kid yourself that you don’t need this vinyl only 12-inch EP.

The 31st started when future members of Died Pretty (Ron Peno and Chris Welsh), the Screaming Tribesmen (MIck Medew) and the Hitmen/New Christs/Screaming Tribesmen (Tony Robertson) started playing shows in a strip club and anywhere else that would have them. Evidently, they played no one style of music - which must have been confusing for the Brisbane punks, boogie-heads and blues fans to pin a tail on.

The 31st were a future supergroup before those things were called that in Australia. They kicked around the undergrowth of Brisbane’s downtrodden music scene in the early 1980s, and fell to pieces before anyone outside of it saw or heard them.

Future Hoodoo Guru Brad Shepherd was to briefly become a member although he's not on these recordings. 

 1)  Died Pretty- The Factory Theatre - It had been a long wait for the return of Ron Peno and co to the stage. They reminded us how great they are

2)  Rubbernecker- The middle band at Marrickville Bowling Club last Thursday - I’ve always been a fan but they’re improving in leaps and bounds. Catch them soon.

3) Kim Salmon's Haunted Grooves - The Great Club - A great night of story and song.

4) Underground Lovers- Brunswick Ballroom . So lucky to be in Melbourne to catch the matinee gig!

5) Albums - Chimers debut; Reverse Light Years- Even; Deadly Decoupage - Boxing With Ghosts; Strange Flash - Lipstick Killers.

Merry Christmas and a Happy New Year to you all and thank for your support throughout another year.  Things right across the board have been slower and less frequent although there are still many good things to report.

1. In March Ursula and I began recording out first full length album together.
It is due for release early March 2022 on I-94 Bar Records.

2. April 25 – Died Pretty  
Mick Medew and Ursula supported The Died Pretty  at The Triffid. Ron was in wonderful form as was the band and I continue to find The Triffid one of my favourite venues in Australia to play or have a night out.  

3. May 9  - Dave Graney and Clare Moore at The Junk Bar, Ashgrove. 

_{The Barman on tour in Japan at Mr Death's Crampstore with The Grand Wizard of the Psychotic Turnbuckles.}  

Top Ten Albums and Other Things In No Particular Order (with a qualifier that I never review gigs promted by the Bar but, fuck that, it’s my Top Ten.)

Ten Albums
1. Dark Country – Sonic Garage (self released)
This turned up on the eve of an overseas trip so a full review from yours truly isn’t among the glowing tributes already posted. A step up on the debut (which was pretty good in its own right) with lots of weaving guitars and classy keyboard textures. Sydney Old Man Rock and Roll. Just buy it.

2. Hackney Diamonds – The Rolling Stones (Rolling Stones Records)
You might have wanted to hate it. Lead “single” “Angry” was so-so but turned out to be one of the parts of a sum that’s much better than it could have been. There's a formula here but it's not a negative when it's in the hands of its inventors. Trust your own ears: It sounds contemporary but this is still The Stones being the Stones, even without Charlie.

_{Ron Peno with his most recent co-writer Cam Butler at his last Sydney show with The Superstitions in November 2022.}

Died Pretty, The Superstitions and Darling Downs frontman Ron Peno passed away at his Melbourne home on Friday night after a four-and-a-half-year fight against cancer. He was aged 68.

Died Pretty announced the news earlier today. The band’s statement reads:

With great sadness we announce the passing of our singer Ron S Peno who left us peacefully on Friday evening in the presence of his loving wife Charity and his son Zebadiah, at his home in South Yarra, Melbourne. 

For the last four-and a-half-years as he battled cancer, Ron displayed a resolute positivity and a profound depth of character that has proved inspirational to his fellow band members, manager and many friends. In the face of adversity he was towering.

Their legacy was just two LPs and a stack of singles but Fixed Up’s punky and soulful garage rock touched people in their native France and all the way around to the other side of the world in Australia.

A lot’s been made about the Sydney-Detroit connection, mainly through Radio Birdman and its now fading local musical legacy. The irrefutable fact was that Birdman and its associated influences ruled the Sydney roost in the early 1980s. As true as that was, you can make a strong case for the affinity between Australia and France being almost as important, once the Sydney underground scene started to diversify and expand. 

The Franco-Ausstralian link was made when John Needham, chief of seminal Sydney label Citadel Records, started dealing with the likes of Sonics Records in France. Suddenly, there was a pipeline for Australian bands to have their music heard on the Continent - meaning outside the UK where the perpetually jaded music press briefly adopted Aussie arty pop, junkie rock and the swamp sound for a time. 

A brand new powerpop-rock combo with an impeccable pedigree, The On and Ons, are launching their Citadel Records CD album, "It's The On and Ons Calling", at the Factory Floor in Sydney on July 18.

The back story is this: Ex-Screaming Tribesman and Kings of the Sun member Glenn Morris (lead vocals and guitar) and his brother Brian (drums), of The Zeros (the Australian band) toured Australia and the US in 2012 as members of The Paul Collins Beat.

That successful stint encouraged them to record their own album of Glenn's original songs. The resultain record "It's The On and Ons Calling" was produced and engineered by legendary Australian guitarist Dennis Wilson, of Khavas Jute fame.