_{Keith Roth, Albert Bouchard and Ross The Boss.} 

The Dictators
Debonair Music Hall
Teaneck, NJ USA
November 2, 2022

By Geoff Ginsberg (with help from Frank "Geoff couldn't edit his way out of a wet paper bag" Friedman)

Dictators assemble! They're baaaack!!

And there was much rejoicing.

Andy Shernoff and Ross The Boss have reconstituted the band and they're doing gigs and recording again.

Before I get to the show itself, a bit of semi-recent history. I'm going to assume if you're bothering to read this, you already know the big picture history - punk forefathers, the NYC band between the Dolls and the Ramones, etc.

In 2006, CBGB was wrapping up their historic run on The Bowery. Many CB's legends came out of their apartments to perform on that stage one last time and give the venue the send-off it so richly deserved.

The penultimate night featured Walter Lure (RIP) and The Waldos, Debbie Harry and Chris Stein, and the first performance by the Dictators in several years. They had done some gigs in 2003 as a four piece since Scott "Top Ten" Kempner had moved out west, but this was the full complement: Handsome Dick Manitoba, Ross, Top Ten, Andy and JP Thunderbolt Patterson.

_{Screaming Loz Sutch. Credit: Neptune Power Federation website}

Neptune Power Federation
Frankie’s Pizza, Sydney  
October 9, 2022

It’s official! The Neptune Power Federation are my new favourite band.

Their last two LPs, “Memories Of a Rat Queen” and “Le Demon De L’amour” have been on high rotation at the home stereo system all year, but due to various life challenges I had never seen them live. So the gig at Frankie’s was a do or die mission to get there.

Heavy Rock is NPF’s bag..and heavy baggage they have in spades (Heavy Rock…not to be confused with its ugly bastard grandchild Heavy Metal). If you listen closely you can tell NPF (or The Feds as their fan club call them) have been sprinkled with the magic dust of the giants in that field. I’m talking first three albums of Queen, ditto for Blackmore’s Rainbow, Motorhead, AC/DC, Rose Tattoo, Led Zeppelin and Buffalo (whose first guitarist John Baxter could even tell).

These Immortal Souls
The Tote, Collingwood, VIC
Saturday, 12 November 2022

These Immortal Souls didn’t really have much of a physical presence in Australia, at least during the band’s creative peak. Rowland S Howard had first conceived the group in the immediate aftermath of The Birthday Party, though it took a false start with Barry Adamson, Chris Walsh and Jeff Wegener, and a brief tenure in the European incarnation of Crime and the City Solution, before

These Immortal Souls took permanent form with Howard, Genevieve McGuckin on keyboards, Howard’s brother Harry on bass and Kevin Godfrey (aka Epic Soundtracks) on drums.

For much of its time, These Immortal Souls lived a penurious, underground (literally and metaphorically) existence in the United Kingdom and Continental Europe. An Australia tour over the summer of 1988-89 would be the only time the band would grace these shores until the band’s repatriation in 1994.

By late 1998, These Immortal Souls had departed into the dustbin of history.

Mick Medew and the Mesmerisers
+ The On and Ons
+ Pocketwatch
Marrickville Bowling Club, Sydney
Saturday, 5 November 2022

Photos by Vic Zubakin of Look Sharp Photography

The 1980s was in many ways a dire period in music: if you look at the charts or are forced to endure a few re-runs of “Countdown”, you’ll agree. Mainstream music was based on synth and a chorus pedal, gated snare and re=recordings of “Funky Town”. And there was fucking Phil Collins and his drums.

The padded shoulders and “eat the poor” mentality that saw the rise of the trickle down economics of Reagan and Thatcher.  Whenever I see any sentimental recall of the ‘80s, I run the other way. The exceptions lie in pockets of underground music

Sydney particularly reacted against the culture of Ken Done tea towels and pastels and third rate sounds. We real street music with some of best bands in the world, many of whom you could see live for five bucks.

Just as then, we still have a Sydney underground music scene in 2022. We can still see shadows and glimpses of the past and talented young bands who have been handed the baton.

_{Liz Pommer photo}

The Johnnys
The Tote
Friday 14 October 2022

There’s some audio of The Johnnys live at Le Tote sometime in 1983, couple of years after the Doherty family had decided to host bands in the band room of The Ivanhoe Hotel in an attempt to address the pub’s precarious financial future.

The set is good ol’ sloppy cowpunk fun, replete with lyrical signposts to The Johnnys’ inebriated schitck and irreverent celebration of country music. “You know why we’re having fun?’, guitarist-singer Roddy Radalj calls out rhetorically. “Because we’re drunk!”

 
Midnight Oil
Hordern Pavilion
Monday 3 October 2022

Photos by Jonathan Armstrong of www.bigjphotography.com

The 1982 Capitol Theatre run of shows in Sydney was a crossroads for Midnight Oil. They were broke and had already notched 500 gigs since September 1977, which was the date that they decided to go full-time after a Bondi Lifesaver show.  

Midnight Oil was equally the largest drawcard on the Australian live circuit but it was not reflected in record sales. It had cost a lot to record their third album, “Place Without a Postcard’ overseas with legendary producer Glyn Johns (Rolling Stones and The Who). “Place” was a rocking, earthy and colloquial album. The production was warm - yet it was of the past and sounded like it had been recorded it in 1970.